A Quote by Bob Seger
Here I am, on the road again. There I am, up on the stage. Here I go, playing star again. There I go, turn the page.
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As the years pass, I find that writers who were once central to me aren't anymore. I revered Yeats's poetry in college. I respect it now and am still ravished by certain lines, but I don't go back to him again and again. I do go back to Emily Dickinson again and again.
I haven't read all of The Witcher novels. And that's only because I am very thorough. I read every detail and often have to go back to the page before and read it again, and I ask questions as I go along, since I am that character.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
Sometimes a book I'm reading is so terrific that when I finish, I simply turn back to page one and start all over again to see what I've missed, to experience it again, more deeply, or because I don't want to let it go.
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
You have to make sure you have a relatable emotion through the movie. You have to check your ego and go into a territory and recognize that nobody knows you. You go back again and again, and by the third time, you are a star.
I typically will work on a lyric in a three-ring binder. On the right side, I'll write the lyric, and on the left side, I put in alternate things...and things that might be alternates or improvements. I'll turn the page and do it again. I'll turn the page and do it again, or incorporate the improvements. Eventually, I end up with some material, and often it needs to be ordered.
Don’t always want to go up. Go down, like water, because eventually it’ll go up again. Just like rain, it falls from the sky, flows as a river, then merges with the sea, the goes up again as a cloud.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
I couldn't go on an '80s package show or anything like that. I have a lot more to give. If you go down that road completely I think you'll stay with a certain type of audience. Again I'm not knocking it. People go for the fun of the hits, it's what they've grown up with.
Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.
You write some material, go up on stage and try it out; go back home and throw it in the trash can. And the next day do it again.
If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.
I always make the joke that I go home, to one of my homes, to go and do laundry so I can go on the road again.
Every time I go to Veracruz, I feel like, OK, I am back. When my feet go to the ground on the earth, I think, 'This is me, this is home, these are my roots, and now I can go and travel again to wherever you want me to go.'
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