A Quote by Bob Seger

It was 22 years of work in a row, right up until 1987. Twenty-two years in a row-either on tour, writing an album, or recording an album. It wasn't until 1987 that I was able to take a breath.
...I got a call from a record company offering me a contract, I did not want to take it because the Lord had pointed me in the direction of spiritual activity...And then it was disclosed to me that I could do both spiritual and musical work. So for five years I executed that contract, and when it was finished, after I made the album Transfiguration, I didn't make another album until twenty-six years later. This new album, Translinear Light, came out of the pleading and constant appealing from my son Ravi Coltrane: 'Ma, please make a CD.' So I eventually agreed.
I'm really proud of the album. It's something I always wanted to do but I had to wait until I was ready. Shakespeare is a culmination of eight years of stand up experience and joke writing. I recorded two shows at the Upright Citizens Brigade Theatre in New York. The crowds were great and that's what really makes an album.
My relationship with Music Row has always been, from my end, optimistic and hopeful that there is more than one way to approach the writing, recording, and marketing of an album.
We know how hard it is to make the World Series; to do it two years in a row is really special. I know how lucky I am to be a part of it two years in a row.
So we are not doing the traditional album, tour, album, tour, album, tour anymore. We're going to tour when we want to, regardless of whether we've got a record out.
When the Greatest Hits came out and we did that tour, I just felt I wanted to take a break, totally. Probably because, as well, I was so young when I got famous. I did album, tour, album, tour, album, tour, then I had a public nervous breakdown where I just lost tons of weight.
I know, every fighter knows, you've got to pile up wins in a row. You can't lose two in a row, three in a row and then you hear mentions of losing your job.
Ramones or AC/DC are two bands that have managed to keep their signature sound and their signature formula for years and years and album after album after album, without it seeming like a dead-end street.
When we finish this tour we are going to begin writing and go into the studio to hopefully have a brand new Foreigner album out in early spring next year. This will be the first Foreigner album out in about ten years.
You know, we love what we do, man, and I don't want to be one of those bands that we write an album, tour for two years and then take a year and a half off.
This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
In our country, [habeas corpus ] means that if you've been sentenced and convicted in a state court, either to death or to some other kind of sentence, you have the right to petition a federal court to review what happened to you. And until [Bill] Clinton, you had three, four, five, even more years I collect records of people who have been on death row for eight, 10, 12, 14 years - this is before Clinton - who finally got a decent lawyer, usually a pro bono lawyer, and an investigator, and were able to find out - they - they're but approved that they're - that they were innocent.
I've been through a lot, both personally and professionally, and the album that I started to record two and a half years ago is a different album from the one that exists today. I even changed the album title. First it was 'All I Want is Everything,' and now it's 'Jumping Trains.'
The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.
You're never going to release the next album and have it be different from your other two, three, four, five albums. People give them a hard time, but it's like, 'I'm an artist, I'm trying to grow. I don't want to have the same album for 10 albums in a row!' Same thing for a martial artist.
The hardest thing about writing my second album is that I had 20 years to write my first album.
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