A Quote by Bob Seger
I want to be sure I can deliver what people expect to hear. I just don't know if I can physically do it. Or if I should.
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I'm coming into places with some people who just want to hear what I did before, with some people who want to hear me with a band, but I am just at the moment sticking to my guns and saying, 'You know what? I want you just to hear this for a minute. I want it to be in the context of me and a guitar.'
Some people can't physically hear things. A kid that listens to Metallica or something can't hear that, because he's filled himself up with this stuff, he physically can't hear a banjo or a harp or something.
I'm afraid of being too sure, to just deliver. I think that's the biggest danger for actors - after a certain time, when you're known and recognised, people expect you to do what you're supposed to do, and there's almost no more criticism and that's very dangerous.
I think people just want to hear good songs and I just want to keep getting better as a writer so that I can deliver good songs.
I guess I just don't like being physically in front of people I don't know very well, because I expect to be "seen through," or, even worse, instantly hated.
I guess I just don't like being physically in front of people I don't know very well, because I expect to be 'seen through,' or, even worse, instantly hated.
I'm sure some of the characters in 'X-Men' had a lot of physically demanding stuff to do, but my character's pretty much stand-and-deliver, stand there and throw fire at people. There's no acrobatics or anything.
There are many documentary filmmakers who have a tough time because they don't really get what they need to do what they want. There are so many people with good visions that should be encouraged and helped. And they will deliver, I'm sure.
Interviews, when they are just simply an exercise in hearing what you want to hear, are of no interest. And many, many, if not most interviews have that character. The interviewer who comes in with a list of bullet points they're going to address one after the other. Interviews, properly considered, should be investigative. You should not know what you're going to hear. You should be surprised.
People hear what they want and expect to hear, not what is said.
Well, you know, when you're putting together a show, you've got to be careful not to load it up with the new stuff. We have to play the songs that people want to hear, too. People may come thinking, "Oh, I've just got to hear this song." Or maybe they'll write me a letter saying a certain song is really meaningful to them, so we'll be sure to play those songs.
I just want to make sure whatever I take on, I can deliver.
There's so much judgment geared toward young girls. People just expect so much from girls. Even physically and aesthetically, people expect us to always look right, to have a certain etiquette - to talk a certain way and act a certain way - and to know certain things. It's all different expectations, but there are always expectations.
I know of nobody that is coming, I am sure, unless Charlotte Lucas should happen to call in- and I am sure my dinners are good enough for her, since she is an unmarried woman of seven-and-twenty, and as such should expect little more than a crust of bread washed down with a cup of loneliness.
I don't drink and I never have. A lot of people ask me why. But imagine if something goes wrong... I just want to make sure I've got nothing to blame, like: 'I should have done this, I should have done that.' I just want to focus on what I do on the pitch.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
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