A Quote by Bob Seger

Moving eight miles a minute for months at a time. — © Bob Seger
Moving eight miles a minute for months at a time.
I did eight months of training for 'Wimbledon,' and then, by the time I finished the movie another four months later, I was like, 'That's me. I'm done with tennis.'
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
If you don't put out a shirt for eight months, that doesn't mean it took you eight months to make the shirt.
When I wrote "Win," it only took about eight months, but eight months of sheer pain and suffering because every phrase that's in there - and there are about 130 specific linguistic recommendations - I had to test every one to make sure that it worked.
When I was a little kid, I used to walk miles and miles and miles and miles and miles and miles of railroad tracks.
Acting in two films would mean four months of the year, which would leave eight months for me, and if Bollywood needs that time from me, I am ready to give it a shot.
Eight months with a cast and crew is a long time.
When you're in Ranger School, it sucks. You're not eating; you're not sleeping. You're marching miles - for months at a time. It's horrible.
I thought the most beautiful thing in the world must be shadow, the million moving shapes and cul-de-sacs of shadow. There was shadow in bureau drawers and closets and suitcases, and shadow under houses and trees and stones, and shadow at the back of people's eyes and smiles, and shadow, miles and miles and miles of it, on the night side of the earth.
The horse seemed to bend time and space as he ran, blurring the landscape and making Frank feel like he'd just drunk a gallon of whole milk without his lactose-intolerance medicine: "Seven hundred and fifty miles per hour. Eight hundred. Eight hundred and three. Fast. very Fast.
I'm really pleased to share the 'Station to Station' film. It has a very unorthodox structure; it's made up of separate one-minute films. So you watch this piece that is like time moving. Everything is democratised, whether it's a minute of Patti Smith or a single landscape with a drone, it's this amazing modern kaleidoscope.
I like cable: you only work four months out of the year and have the other eight months to do movies if you want.
I'd gone through periods where I didn't work live performances for probably seven or eight months at a time.
You're going to feel good. But no matter how much you rehab you do, you can't speed up the healing process. I would rather see a guy come back in 14 months and pitch seven, eight or nine more years then come back in 10 months and get hurt again. You cannot mess with mother nature and father time. Nature will heal it if you give it time.
There have been periods of my career that I haven't worked for a really long time, like seven or eight months.
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