A Quote by Bob Seger

I did this thing with Trisha Yearwood, a song called 'The Price.' I had been sitting on it for a while, because I figured, you know, this really needs a good singer.
I'd do a really good job playing Trisha Yearwood.
I'm just trying to be the next Trisha Yearwood.
While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song.
In my musically formative years, I grew up listening to Suzy Bogguss, Trisha Yearwood, Terri Clark.
I really like the thing I did with Martina McBride. I had that song sitting around for a long time.
Around 14, I was turned on to Shania, Reba, Merle Haggard, Garth Brooks, Trisha Yearwood... and I've followed it ever since.
People who know my music are like 'Yo, that's Steve G-Lover rapping this 'Paper Boi' song. It's hot. I need this song.' It's funny because the song came about so fast, but the idea had been simmering for a while.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I would really have just had one thing to do.
I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.
A great song can make a terrible singer sound good, but a good singer - you put a great song on top of that, you're really in great shape!
Everyone has their own experiences with song. It means one thing to me and it means something entirely different to somebody else. I have a song called 'Apple Cherry' which is a song about unrequited love and to this couple in London, they fell in love to this song. The girl in the relationship called me and said she wanted to propose to her girlfriend could you sing 'Apple Cherry' while I do it? I was like 'Really? That's not a love song about getting together'.
I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh
I used to work for a non-profit organization where I worked as a mentor and a counselor to first-generation college student and they kept asking me 'What can I read to try to know what I'm about to be in for,' and while I did have some good suggestions, I figured... I don't know that that book is out there, and that's sort of why I had to write it.
I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
I actually started singing country music at 4 years old, right when I started learning how to sing. I would cover a lot of Martina McBride, LeAnn Rimes, Trisha Yearwood, that kind of stuff, and it just feels very authentic to me. It's always been there through the years. Even when I was in my band, I still listened to country.
If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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