A Quote by Bob Seger

Every now and then you'll nail one that's really, really special. And that's what you live for. — © Bob Seger
Every now and then you'll nail one that's really, really special. And that's what you live for.
I use pure acetone Nail Polish Remover from Nails Inc. to really strip the nail. It's actually important to dehydrate your nail a little bit to get rid of all of the oil before you put color on; then the color will really stick. Then, I use OPI Bond Aid. It's a liquid dehydrator that you paint onto each nail.
I did a really fun orange nail polish with my friend Deborah Lippmann. All of her nail polishes are named after songs so we called this one "Lara's Theme" which is really cute. It's a bright orange which is really good for summer or cheering yourself up in winter.
I really know what it's like to work and live every moment now, and I'm really grateful for that.
I have a phone obsession. It's really hard on set sometimes because I'll be checking Instagram, and then I have to remember, 'Oh, crap, I have to shoot a scene or rehearse.' Every now and then, I have to turn it off and live my life.
I stopped doing comics because I found the pressure really high to nail it every time. It's really difficult to be creative all the time.
We haven't started playing it live yet but we're going to. And then 'Warpaint' is a song that's really, really close to me because it's actually - we've had that song for many years now and it's changed so many times, it's been through every reincarnation of our band with every drummer, with sometimes with me playing drums, it was when we were a three-piece, every incarnation of the band that we've had we have played that song.
One of my favorite things as an engineer is watching a band get comfortable in the studio and getting a great take. Like, they're playing the song, warming up, and then suddenly, the communication really happens and everybody's really in the song, and they nail it, and then that's the take.
I was working in a gaming company, but I really wanted to make animation. I didn't really have anything special, no special tools at my disposal, so I used what I had on hand like Photoshop, and that's really how I started.
I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.
I really don't look at my past and I really don't look too much to the future because I find that's sort of redundant. I really live right in the present. I live right in the now.
There's just something really, really timeless about live instruments. There's just something special about them that you can't really duplicate or grasp without including live instruments.
To have the opportunity to bring 'Tallica Parking Lot' to life through images was really special. And also to have a lot of my heroes and my friends in the film was really, really special. People like Lemmy from Motorhead.
The Champions League is a really tough tournament, and every single game is really special and difficult.
Everybody talks about the FA Cup being special, and now I know from personal experience it is really special to be involved in.
If I'm gonna stay in this world of comedy, then it has to be a really special character to me in a really smart piece of material.
If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective.
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