A Quote by Bob the Drag Queen

We talk race relations, gender politics, about what's actually happening here in America... Winning 'Drag Race,' has allowed me to amplify that. — © Bob the Drag Queen
We talk race relations, gender politics, about what's actually happening here in America... Winning 'Drag Race,' has allowed me to amplify that.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
If I have learned one thing from life, it is that race is the engine that drives the political Left. When all else fails, that segment of America goes to the default position of using race to achieve its objectives. In the courtrooms, on college campuses, and, most especially, in our politics, race is a central theme. Where it does not naturally rise to the surface, there are those who will manufacture and amplify it.
I do think that people have a desire to talk about issues they may have wanted to avoid before. I've never had so many random conversations with people where they're so ready to talk about race, gender, sexual identity, or things that are happening in politics.
Here's the thing. When we talk about race relations in America or racial progress, it's all nonsense. There are no race relations. White people were crazy. Now they're not as crazy. To say that black people have made progress would be to say they deserve what happened to them before.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
When you are honest in your comedy, you have to acknowledge the world that you're in. Through a comedic voice, you're talking about what needs to be talked about, whether it's race relations or politics or anything that's happening on a global or an American scale.
I was really grateful that The Vixen, especially, was on season 10 because she was having conversations about race. You can't ignore it, especially in the drag community, in the 'Drag Race' world.
'Drag Race' has become a staple of modern television for the way it skewers expectations and attitudes about gender, much as a show like 'black-ish' works to challenge stereotypes about black families in America.
I think when people talk about race relations in America, they talk about African-American and white people. Asians are not often brought into the conversation. But there's a historical legacy of issues between them. It's hard to be like, 'What about us?' But we are a little underrepresented.
My family, friends and community members rarely spoke about race relations, or how people from different races have different experiences growing up in America. Race was a taboo topic.
I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.
The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.
No matter how old I get, the race remains one of life's most rewarding experiences. My times become slower and slower, but the experience of the race is unchanged: each race a drama, each race a challenge, each race stretching me in one way or another, and each race telling me more about myself and others.
There's a couple things you don't talk about in life, and that's race, religion and politics. I try to make sure I don't talk about politics at all.
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