A Quote by Bob the Drag Queen

For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
In order to make a change, I have to exist in a traditionally homophobic space such as hip-hop. If I were to just be this queer rapper who only spoke to queer kids... I don't think I could as effectively make a change for another young, black, queer kid growing up in Texas.
I am part of a legacy of queer black women who have fought for the freedom of black people across the globe.
We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.
I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
In some ways, I value specificity. I think that there's power in, once you know who your fan base is, being able to speak to them. I hope to cultivate a fan base of black girls and black people and people of color, women of color, queer people, people who are are marginalized in general.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
I read everything and anything related to being queer. I found solace in reading authors like Audre Lorde and bell hooks, who would become my activist staples - their words helped me grow up and taught me how to be bold and courageous. By studying them, I came to understand that being young and queer and black would not be easy.
You can celebrate pride, by lifting up what Black queer people have given us.
I'm touching people, helping people, and I'm making music I love. I like to think a lot of other black queer artists feel that way too.
It's important to tell queer stories and to show queer relationships in a very normal setting.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
As much as I think that in the future we won't need labels, at the moment they're really important. So I'm making myself embrace that. I truly am proud to be queer. Even watching 'Queer Eye' is something that inspired me to say that. So that's the power of representation.
There is no separation between the black community and the LGBT community. As a black, queer woman myself, I often have to assert, right, that it's not one or the other but that I am all of these things.
I knew marriage was not the answer to changing the conditions for poor, black, queer folks. So I never felt compelled to get married - it just didn't seem important. But even if marriage wasn't right for me at the time, or a quick fix toward black empowerment, I found it repulsive that loving same-sex couples were refused the right.
Is the mainstream becoming more queer? Or is it the opposite? That artists like me are mainstreaming queer music?
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