A Quote by Bobby Berk

I think the original 'Queer Eye' definitely started us on the journey to normalize the LGBT community and make people realize that we are just people just like everyone else. It started the road to acceptance.
I'm still figuring it all out, and I think everyone is. And that's kind of the point is that there's no fixed identity, especially for like people in the queer community. It's going to be an ongoing journey, but yeah, I hope that sharing it helps people.
By seeing a same-sex couple in ordinary situations, that it might make people think twice about if they have, you know, questions about acceptance of LGBT equality, it's one way to just say that, you know, 'We're members of your family and gay people are like anybody else.'
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
This is how I feel about the LGBT community: they are people just like us.
I think that I'm, like, an introverted extrovert. At the end of the day, when I get done doing hair at the salon or shooting a day of 'Queer Eye' or whatever, I definitely want to come home and, like, order pasta and sit with my cat or just one person or no people.
I started making music that I loved and was passionate and excited about, but it was really cool when I started touring to realize it's an extremely diverse group of people who come out. In the front row, I'll have everyone from a little girl in a frilly tutu, to rockers and gamers and older couples. I love it that it's just everybody.
The directors did an amazing job and Josh Holloway is just he's just shining. I think that, of the people I started working with, he's one of the people I'm most impressed with. How he's grown and learned and he's been just stunning everyone with his performances.
When the AIDS epidemic first started there were people who said, "Well, if there weren't gays, then we wouldn't have this problem. It's got to be because of them - let it be them instead of us." But when you educate yourself about it, you can't help but realize that we're all affected by it. I think that things like that just become too daunting for people.
Dabbing started with us - QC the label - Jose Guapo, Migos, Skippa Da Flippa, PeeWee Longway. When we performed, we just dabbed, and everyone started running with it. People would do the dance, but no one would say what it was.
When I started going to business school, I started getting calls from my peers asking for my help. I thought, 'Well, there are a lot of people like me who make a bunch of money and just get so scared of it and don't know what to do with it.' I just didn't want to be 60 years old and broke.
I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn't the quality of their music: they just didn't stick out.
I think we can topple the patriarchy by using our voices to speak out against things that aren't right and that we don't agree with. I think for people who are not people of color or members of the LGBT community, it is being an ally and being an advocate in spaces that people of color or members of the LGBT community can't really get into.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
We're just actors, man, just part of things. We're just doing our jobs, like everyone else does their jobs. The adulation for us is much more because we are always in the public eye. But I never became an actor because I wanted people to scream out my name.
Black people didn't start coming to see me until 1982. I'd just started doing Delbert, and suddenly my world changed. I started doing black-centred characters that were about people I knew in the community.
'Game of Thrones' was the first fantasy thing I've done, and like a lot of people who enjoy the show watching it, I didn't expect to respond to that world, but when I started doing it, I really started to love it, started to realize that some of the things I'm naturally drawn to.
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