A Quote by Bobby Bones
Everything that I do should be wrong, but I started really young, and I just learned how to learn. I would fail, and I would figure out why that didn't go right and do it again.
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This deluded little rube who really thought the future would be any better. If you just worked hard enough. If you just learned enough. Ran fast enough. Everything would turn out right, and your life would amount to something.
I started taping my dad's auditions when I was 11, when he was auditioning actors for one of his movies. I would see, over and over again, that there wasn't just one actor for the role. It was really clear that there were a lot of people who could play a character really well, and it would always come down to something kind of weird and non-obvious as to why a person was cast. If you're not right, you're not right, but that's okay.
It was unfair that people could pretend to be one thing when they were really something else. That they would get you on their side and then do nothing but fail, and fail, and fail again. People should come with warnings, like cigarette packs: involvement would kill you over time.
Hire inexperience. This year we plan to hire 200 engineers - half of whom are recent grads. Young people are not burdened by years of experience. They haven't learned - or been told - what is right or wrong. With engineering, there is no tried and tested path. You try, and fail, and fix, and fail again.
School doesn't teach you much. School teaches you how to follow directions, that's what school is for. And in life, not necessarily following directions helps you get certain places - because you go to the right school you can learn the right things, and you go to the wrong school you can learn the wrong things, so it just all depends. But school doesn't really teach you how to interact with people properly, you learn that outside of school.
So you think that you're a failure, do you? Well, you probably are. What's wrong with that? In the first place, if you've any sense at all you must have learned by now that we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail. But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
I used to not really know any other people when I was young that wanted to play music - that's why I learned everything myself. As a result, you kind of naturally become an engineer of sorts, because you've got to learn how to record everything.
When things go right it's hard to figure out why, but when things go wrong it's really easy.
The key is really just saying my brain isn't big enough to figure out why everything happens. It would be like an ant trying to understand the internet.
The difference between us and them, between you and success, is not that you never fail, but it's how you recover from those failures - is that you keep getting up time and time again. You figure out what you did wrong, and then you make it right. I say that to my kids every day.
I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
The problem, of course, was that people did not seem to understand the difference between right and wrong. They needed to be reminded about this, because if you left it to them to work out for themselves, they would never bother. They would just find out what was best for them, and then they would call that the right thing. That's how most people thought.
If I was gay, there’d be no closet. You’d never see the closet I came out of. Why? I would have burned it for kindling by the time I was twelve! Because I know, with all certainty in my mind, there’s nothing wrong with being gay and you know it! And there’s nothing wrong with being into chicks if you’re a girl. And there’s nothing wrong with being into all of it…. How awesome would it be to be bisexual? To just walk into a room and go ‘MMMM, ALRIGHT!!!!’
When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
I learned very quickly that if you just go out and make something and maybe fail at it or you just learn how to edit it yourself. I edited my last films. You just do it yourself. You feel so creatively empowered and you're controlling your own destiny as artists.
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