A Quote by Bobby Cannavale

I was, like, 28 or 29 when I finally was on camera for the first time. — © Bobby Cannavale
I was, like, 28 or 29 when I finally was on camera for the first time.
We went through a whole lot in Washington, from winning 28, 29 games to going to the second round of the playoffs in two years. That was a tough time and a great time as well. Early, like my first year, it was really tough, because to be honest with you, I didn't want to be there.
I was about 28-29 when I wrote my first story, and that was called 'The Garden of Abdul Gasazi.'
Eventually, I think I'll probably end up at centre-half. By the time I get to 28 or 29, I imagine I'll be a defender.
Like many people, I kicked around, struggled to become a writer, finally got my first full-time job around 27, 28, at 'The Hill' newspaper. They hired me as a copy editor, which was kind of funny because I'm semi-blind because I have an eye disorder.
Counting the ones I've co-edited, I guess about 28 or 29 [books I've written].
To a point, family does that and a couple of life experiences both positive and negative that have definitely altered my perception on rugby. Whereas my first 28-29 years, rugby was the entire focus, which was not that healthy, now you realise what is really important.
A disciple is one who thinks, feels and acts like Jesus Christ. It is being conformed to the image of Christ as Romans 8:28-29 states-that God's No.1 purpose in our lives is to make us like Jesus.
I started to have notoriety in my late 20s or early 30s - like the first time someone recognized me in public was probably when I was 29 years old.
My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
I didn't become an actor until I was an old man of 28 or 29. I declared to the world that I was an actor. Nobody heard me, but I did declare it.
My first pictures are from 1972, and my first proper camera dates back to 1973. During the first year I used my father's camera. It had a flash on it, which I don't like, but I didn't know anything about photography back then, so it was just what I did.
Actually, I think that turning 29 was more difficult, because once I turned 29, I anticipated 30 for the whole year, so by the time 30 came around it really wasn't that bad.
Draw a line; draw a line that pleases you. And remember that it is not the artist's role to copy the outlines of things but to create a world of his own lines on paper." (pp.28-29)
The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
I've worked with actors who treat the first two takes like rehearsals. And that's okay. If the camera is on you and we're doing a scene where I'm off camera, I'm treating that as a rehearsal.
I wanted to be a stuntman first, and I used to pretend to be Indiana Jones and jump off roofs and slide under garage doors. I was 29 at the time.
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