A Quote by Bobby Cannavale

I was an altar boy in an incredible monastery that was attached to a rectory. The theater of the church is the most incredible theater, and in this church, it was beyond. It was this huge monastery. It was landmarked. It's a beautiful building, and I kind of had the run of it.
It was a very aged, ghostly place; the church had been built many hundreds of years ago, and had once had a convent or monastery attached; for arches in ruins, remains of oriel windows, and fragments of blackened walls, were yet standing-, while other portions of the old building, which had crumbled away and fallen down, were mingled with the churchyard earth and overgrown with grass, as if they too claimed a burying-place and sought to mix their ashes with the dust of men.
I'm a very shy person, and I never tried to do theater. I've been asked many, many times by the most incredible authors in America to do theater. And I always said no, not knowing what it is to be on the stage and to do theater.
I've never been with women, because I'm celibate, as ordered by God, as if I were in a monastery. For me, the church is my wife.
I think the church should strive to give parishioners good music. Music is as necessary for worship as a building with a beautiful altar, artwork, and stained-glass windows. Together they create an environment conducive to worship and contemplation. We are not in church for entertainment, but to worship.
In terms of theater, there's not a more supportive theater community than in New York. It's really kind of a real thrill to go there. I mean, don't forget, I'm a boy from the suburbs of Sydney, so getting to New York is a huge, huge thrill.
The Church is not a monastery for the isolation of perfect people. It is more like a hospital provided for those who wish to get well.
The theater community is so incredible, kind, and supportive.
The only people who had authority within the Church to stop Brendan Smyth from having contact with children were his Abbot in the Monastery in Kilnacrott and his Religious Superiors in the Norbertine Order.
In our own case, we don't consider the loss of a monastery or a monument the end of our entire way of life. If one monastery is destroyed, sometimes it happens.
It is not bad living in a monastery. I've done it many times in many lives. But I think you can do a better job outside the monastery, if you have the necessary component parts.
You might say living in a monastery cuts down the commutation time. That alone gives you a couple extra hours a day to meditate. In a monastery you lead a relatively simply life. You don't need a lot of possessions.
The church is in trouble-that's what they say anyways. The problem is most of what they call the church is not the church, and the church is not quite as in trouble as everybody thinks. As a matter of fact, the church today is absolutely beautiful-she's glorious, she's humble, she's broken, and she's confessing her sin. The problem is what everybody's calling the church today isn't the church. Basically, by and large, what's called the church today is nothing more than a bunch of unconverted church people with unconverted pastors.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
In Edinburgh, there was a lovely little Episcopalian Church of Scotland church on my way to the theater, so I used to pop in there and soak up the atmosphere.
I love Aretha [Franklin] and I've loved her all my life. I think she's an incredible songstress, obviously. She consistently has had this incredible voice. I remember when she was singing gospel in her father's church.
I come from classical theater training and when I went to college it was a bunch of kids that were hand-picked from around the world. I was around such brilliant young minds and incredible artists with incredible teachers.
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