A Quote by Bobby Darin
A-well-a, splish, splash, I forgot about the bath, I went and put my dancing shoes on.
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I wrapped a towel around me and I opened the door, and then I splish, splash, I jumped back in the bath. Well, how was I to know there was a party going on?
When I paint, the Sea Roars Others Splash about in the bath
They always gives me bath salts," complained Nobby. "And bath soap and bubble bath and herbal bath lumps and tons of bath stuff and I can't think why, 'cos it's not as if I hardly ever has a bath. You'd think they'd take the hint, wouldn't you?
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
I'll never forget my high school acting teacher, Anthony Abeson, who said, "It starts with the shoes." When I think about a character, it does start with the shoes: What kind would she wear? How would she walk in them? If I'm going to put on a dress for a role - I don't care if it's the hardest dress to put on - I have to put the shoes on first. The physicality leads me to the character.
When it comes to acting, you really have to create movement which in some ways is dancing. And dancing, I feel is very important to act as well. I wouldn't put one over the other.
I never really stop and think about should I put my hat on this way or that, not thinking that little JoJo down the street would be copying that. I'm more conscious about it now and tell the kids that it's not about the shoes or what kind of shoes... it's all about the dance.
I started dancing when I was about four, and my mother put me into dancing school, and I did every type of dance there is.
I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.
Kewell should have been yanked off the pitch at half time and put in a hot bath, a boiling hot bath.
When I write, it's like choosing which shoes I'm going to put on. More often than not, my lyrics are personal - but I sometimes have to put myself in other people's shoes.
I think with boys... it's all about shoes. I've seen so many little boys, and their outfits are so cute, and then their moms put kind of dorky shoes on them.
I was very inspired by working women, and also women who aren't working yet! I want them to have shoes that feel luxurious and special and well-crafted and thought about. But also, they should have shoes that won't break the bank. You don't have to spend three years saving up for beautiful shoes.
This is a natural evolution, building a complete bath ensemble program and the Joseph Abboud bath brand within the Creative Bath family of licensed programs.
It is important what you look like, period. So, I grew up and realized, 'Just put on the shoes and wear some nice clothes and forget about it and try to sing well.'
I think there was, like, a childhood moment where I had to pick shoes, either non-marking or marking shoes. The marking shoes were Spider-Man shoes. I'm like, 'Well, I want the Spider-Man shoes.' But I also didn't want to mark the court; I want to be able to play. I chose the generic, non-marking shoes.
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