A Quote by Bobby Darin
I decided I was going to give up singing and concentrate on acting, and a result of that, I didn't do another film for two to three years, and I don't blame it on anybody but myself
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I decided I was going to give up singing and concentrate on acting, and a result of that, I didn't do another film for two to three years, and I don't blame it on anybody but myself.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
I've done a number of things that get categories closed off in a way, so when I read 'The Long Walk' by Slavomir Rawicz and decided to do film, 'I thought, you know, this is going to be wonderful,' two and a half years, three years, whatever it was.
I did do a local musical, 'Bubblin' Brown Sugar.' I played the young Sweet Georgia Brown. I was 13 years old. After that, I just decided that I had to pick one thing, acting or singing, and concentrate on that.
I decided I don't want to go for the top job now. I could be working for another 25 years and I'd like to be reading bedtime stories to my children for another two or three years.
I make one film in three years, if I go wrong it will take me another three years to prove myself.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
No press conference announcing a last film. I'd just steal away. Best way because, if by chance after two or three years something interesting comes up, I would not - like Sinatra - have to say: 'Well, I've thought it over and decided to come back.'
Every day I remind myself of all that I have been given... With singing, you never know when you are going to lose the voice, and that makes you appreciate the time that you have when you are still singing well. I am always thanking God for another season, another month, another performance.
The choices of roles I made had to do with educating and entertaining. And as a result I found myself working only every two or three years.
As an actor, I give 60 days to act in a film, but the writer takes nearly two to three years to create a story.
Looking through a child's eyes and knowing this was another planet, we decided to design the machines with eyes and bodies like animals, we also decided that this planet has two moons, and we decided that anything else we wanted to do was allowed. It was a new perspective to make the film.
I hoped that I could learn how to combine an education with acting. But I was unhappy with the direction I chose, so I decided to take on a six-month tour for a musical theater performance, thinking that I'd go back to university in a year. That became two years, then three years, until I really realized I am already doing what I love doing.
I remember growing up singing; even when I was just three years old, I was singing all the time in the house. My parents said I was singing before I could even talk properly.
I'm not going to spend two years on a film or four years on an opera if I don't feel like I can put my own self into it. That doesn't mean it has to be about myself.
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