A Quote by Bobby Deol
While doing 'Jhoom Barabar Jhoom' with Abhishek, I never thought about my dad's and Amitabhji's hit 'Jodi.' I just play my character and don't think about history and the future.
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You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
I think what is nice about 'Elf,' and why it doesn't play as one long sketch, is that the character actually grows up during the course of the film. It's not just a character that you can keep checking in on and keep doing sketches about. It's a story. I'm pretty proud of how we told it.
I have thought about punching people out. Sometimes, I've thought, 'Why don't I just act on that impulse?' But then, I've never hit anybody in anger. Hey! I've never hit anybody for fun.
I remember working with Jackie Chan on Shanghai Noon [2000], and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.
...I think there's only one [thing] that anybody teaches, and this is character. And I think that whether you are teaching history, math, or biology, or music, what you are really doing is, you are helping to shape the character of that person who is your student... Music is such a wonderful teaching tool, because while you are developing musical skills, that student can learn a lot about discipline [and] cooperation.
Eleanor had never thought about killing herself – ever – but she thought a lot about stopping. Just running until she couldn’t run anymore. Jumping from something so high that she’d never hit the bottom.
I wasn't thinking about history. I was thinking about how we were going to end segregation at lunch counters in Atlanta, Georgia.We would have never thought about making history, we just thought: Here is our chance to get out our sense of rejection at this kind of racial discrimination. I don't know that there was a time that anybody growing up in the South wasn't enraged about being segregated and being discriminated against.
I am always interested in affecting people in some way, making them think about particular areas of history that they have never thought about or that they may have thought about in one way and then changing their view.
Abhishek Chaubey has been in my bucket list for a long time. When he approached me, I thought it's for a film he is producing, but I never expected my fourth film to be an Abhishek Chaubey film.
I never think about the next movie. I always think about the situation I'm in now, but you do think about an arc someone can go. I love Johnny Depp, I love "Pirates of the Caribbean", but I never wanted to play the same character over and over again.
I never think about the next movie. I always think about the situation I'm in now, but you do think about an arc someone can go. I love Johnny Depp, I love 'Pirates of the Caribbean,' but I never wanted to play the same character over and over again.
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
I never think about my face. I actually just care about what I'm doing - my voice and my character. I don't care about, 'Am I fat? Am I ugly?'
As an actor, you have to just think about the truth of your character. You have to think about how to play the character in the way that you know it needs to be played in your heart and why you were hired.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
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