A Quote by Bobby Deol

'Aashiq' is a romantic film, even though my character is a rather aggressive guy. You could even call it an intense romance. And working with Indra Kumar has been an excellent experience. He is a great director.
People decided that I was the frat guy, even though I've never been inside a fraternity, or the guy who beat them up at school, even though that wasn't me at all.
Sometime you will find, even as I have found, that there is no such thing as romantic experience; there are romantic memories, and there is the desire of romance- that is all. Our most fiery moments of ecstasy are merely shadows of what somewhere else we have felt, or of what we long someday to feel
I'd been working so hard making the film that I hadn't even emotionally processed the fact that I was a director.
I had to pinch myself. I got the call and didn't expect it. And right up 'til nearly the end of filming, I was thinking, 'Am I actually doing a film with Akshay Kumar?' because I was a massive Akshay Kumar fan before, and the first film that I ever watched was his and Katrina's film, 'Namastey London.'
It is doubtful if even experience of riches and success is as intense among those who have experienced nothing else as among those who have also experienced poverty and failure. There is little romance in wealth to those who have been born wealthy and whose families have been wealthy for generations.
I have always been a big fan of the character and am more of a moviegoer than a comic book guy, there is always something about the character of Batman that is very elemental. There is a great powerful myth to the character and romantic element that draws from a lot of literary sources
Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
I've been doing comedy longer than I haven't been doing comedy, as I was performing for three years before I even got on 'The Tonight Show.' There's truly nothing like it; it's intense and exhilarating, even though it looks so casual.
Even though Richmond is a three-quarter mile, it's a fast short track... So it gives you - maybe you could call it a false of security a little bit, but it seems to be working for me.
I'm more prone to anarchy than I am to control - even though I'm a film director.
A guy who is crazily, madly in love with you. A guy who sees how incredible and amazing you are, even though you’re not the cheerleader or even close to the prettiest girl in the school. A guy who thinks you’re beautiful, just the way you are.
I've actually been given a great gift. When I walk into an audition with a director, I'm carrying no baggage. They haven't seen me in anything, even though I've done nine films.
A lot of times, you're not necessarily off the page because you haven't been able to take the time to prepare a character. It's very easy to find even great actors reading it more like a reading. Things aren't really coming alive yet, even though you know they will.
I love it when I see somebody else make a great film. I think there is a great supportive film community, even though the awards seem to do something weird to that.
I can also romance a guy if I like the character and the script. Obviously, only in the film!
I believe that every character I create is in their own film, that happens to overlap with the main film. There are complete and real characters, even though we only spend only a little time with them. In the approach to what those entities are, that always appeals to an actor. What are they, since they are going to embody this character?
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