A Quote by Bobby Deol
'Ajnabee' is a thriller. I play a married man trapped by mysterious circumstances. The film does have a lot of romance and action, but it's not based on 'Consenting Adults.'
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Since my romance novels had all been thrillers as well, it wasn't such a leap for me to move into the straight thriller genre. The most difficult part, I think, was being accepted as a thriller writer. Once you've written romance, unfortunately, critics will never stop calling you a 'former romance author.'
[ The Finest Hours] reminded me a lot of a film I did called Unstoppable in that you have a driving thriller aspect of the film and it's not all that complicated of a story and there's a simple elegance to it. I liked that. It is also driven by a really strong romance and ordinary men doing extraordinary things. I love that.
My 'Rot & Ruin' series is a post-apocalyptic adventure for teens. My 'Joe Ledger' novels are science-based action thrillers for adults. My 'Dead of Night' stories are zombie tales for adults; my 'Pine Deep Trilogy' is classic horror for adults, and I've written nonfiction books on topics ranging from martial arts to folklore.
I always wanted to write a book. Not a romance novel. Maybe a crime thriller. Something with action. Maybe that will happen some day.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
A lot of people who end up being horrible criminals when they are adults had very abusive childhoods. You can have sympathy for that child. It does not at all, under any circumstances, diminish their responsibility for what they do.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
When you expand the definition of marriage beyond one man and one woman, society can expect other consenting adults in other configurations to say that their choices deserve recognition.
My life isn't just one genre. It's a romance one minute, an action movie the next - it's actually rarely, rarely an action film, to be frank.
If I can do anything in this time of my career, I want to make it easier for other actresses and girls who are growing up to go, 'I get to be a part of a comedy or an action film or a romantic comedy or a thriller or just a romance, without having to wind up with someone to complete us.' I complete me. I just got lucky that, after I completed myself, I met someone who could tolerate me.
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
What consenting adults do behind closed doors is not my business.
You could easily play the guy as straight-up hood throughout the whole movie, the Imperial Courts, but writer and director Malik Vitthal envisioned a human being that has never been seen before in film: a black man in circumstances that he does not like, who is passionate - persistent - in turning it around.
Relationship is action, is it not? Action has meaning only in relationship; without understanding relationship, action on any level will only breed conflict. The understanding of relationship is infinitely more important than the search for any plan of action. The ideology, the pattern for action, prevents action. Action based on ideology hinders the understanding of relationship between man and man.
I'm all for bringing back the birch, but only between consenting adults.
A woman director is not obliged to make a feminist film. She can make what she wants, a thriller, an action film, a comedy, or whatever, but hopefully, she will be informed by a gaze that is female.
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