A Quote by Bobby Fischer
My opponents make good moves too. Sometimes I don't take these things into consideration
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I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it.
The best tournament players actually try to avoid risky plays altogether. They prefer to wait for their opponents to make the risky moves. They'll wait patiently until they catch a strong hand. When they do, they'll take down their overly aggressive foes.
We try to reduce the danger to a minimum, of course. And then we prepare for accidents with alternate plans. For instance, if I'm turning over a stagecoach, I try to take into consideration what moves I have to make if it flips in the wrong direction. Without those emergency plans you get hurt.
Sometimes life is hard. Things go wrong—in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do: make good art. . . . Someone on the internet thinks what you’re doing is stupid or evil or it’s all been done before: make good art. Probably things will work out somehow, eventually time will take the sting away, and it doesn’t even matter. Do what only you can do best: make good art.
A common mistake made by amateurs is that they fail to take advantage of players who bluff excessively. Instead of playing possum and letting their aggressive opponents continue to bet, beginners raise too early with monster hands, allowing their opponents to fold.
It is ignorance or at least lack of consideration of heavenly things that make the temporal things of this world, whether good or evil, greater than they really are.
When asked, -How is that you pick better moves than your opponents?, I responded: I'm very glad you asked me that, because, as it happens, there is a very simple answer. I think up my own moves, and I make my opponent think up his
I have tried to make all my acts and commercial moves the result of definite consideration and sound judgment. There were never any great ventures or risks. I practiced honest, slow-growing business methods, and tried to back them with energy and good system.
Good things take time, as they should. We shouldn't expect good things to happen overnight. Actually, getting something too easily or too soon can cheapen the outcome.
I prefer film. I think it moves slower, it gives you a chance to kind of get a feel for things. Sometimes TV moves so fast that you don't even remember what you've done.
In India, we are parented in a way that we get very good values. But the whole culture forgets to tell us to also value ourselves. It's really OK sometimes to take into consideration your own happiness.
Sometimes, when the spirit moves me I can do many wondrous things I wanna know when the spirit moves you Did ye get healed?
Since you know the means of getting better, in the name of God, make use of them. Do not take on anything beyond your strength, do not be anxious, do not take things too much to heart, go gently, do not work too long or too hard.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
If salary is your most important consideration, make sure you don't take too much time off beyond the allotted 12-14 weeks of maternity leave - and certainly don't leave altogether.
Movies take a lot of time to make, so when I sign onto a project, I ask, do I want to dedicate a lot of time to this world? And more so, I look at what I need for me. Do I want to make a comedy? Do I want to make a drama? What do I need? Am I in the right headspace to do this role? And then politics come into consideration, too.
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