A Quote by Bobby Heenan
There's the downtown area of Tupelo. Did you see the skyscrapers? Two stories.
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It is sound statesmanship to add two battleships every time our neighbour adds one and two stories to our skyscrapers every time he piles a new one on top of his to threaten our light. There is no limit to this soundness but the sky.
Everyone is aware that tremendous numbers of people concentrate in city downtowns and that, if they did not, there would be no downtown to amount to anything--certainly not one with much downtown diversity.
And you may find somebody kind to help and understand you
Someone who is just like you and needs a gentle hand to guide them along
So maybe I'll see you there
We can forget all our troubles, forget all our cares, and go
Downtown, things'll be great when you're
Downtown, don't wait a minute more
Downtown, everything's waiting for you
To me, the difference between New York and London is that things are boring and staid in London. But even the sh-tty diner and bars here are kind of exciting for me. Downtown is funky, West Village is beautiful with the cobbled streets, but I love going uptown because you then you go, "F-ck, I'm in New York!" You see all the skyscrapers.
Many times, I left the prison thinking, 'I'm smart. I can make it. I won't get caught up again.' But you get off downtown Skid Row, and you're a target for all of the environmental harms in that area. The pain and trauma in that area is so thick, you can almost reach your hand out and touch it.
I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.
All these people talking about morality should just take a walk downtown. They don't want to go downtown because instantly they see homeless people and they don't want to.
Art deals with profound and simple moods. Let us suppose that the artist - in this instance (the artist) Picabia - gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it. He will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.
I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery; it impressed me.
Me and my mates go free running all the time. It's not my mum's favourite sport. I've probably jumped four metres on to grass and two metres between buildings. It's nothing like you see on the Internet, with guys jumping off skyscrapers, but it's fun.
This (America) is a land of rich diversity, from the towering skyscrapers of Manhatan all the way to the towering mounds of garbage piled up next to the towering skyscrapers of Manhattan.
Downtown Cairo is at the center of the city, it is a place that has to be shared between different classes. It's a place where you see the bigger picture of the city's social fabric. It's also a place where you see all the contradictions of having all these layers, classes, and differences at the same time. And this is also where they clash, and where they negotiate. They negotiate their demands, their tastes, the lifestyles they want to have. So it's a very interesting space. I think that Downtown has maintained that identity before, during, and after the revolution.
You can't anticipate history. It's only when you look back you see what the Romans did, and what various other empires did, what the British Empire did. We're now beginning to see the long shadow that it created, so one must be hopeful and say that what's going on in Asia, that what's going on in the Middle East, that all these various areas of conflict, that they will pass and move onto another area. But it would seem that the natural order of things is there is this cyclic behavior of destruction followed by a calm period.
If I hear that Quito, Ecuador, is doing something to have a whole area of town that's zero emissions, and we're thinking about that in Los Angeles' downtown, I'm like, 'I better catch up.'
We were from downtown, so we were rapping in Danceteria, in these white downtown clubs, really. Nobody downtown was rapping. Nobody we knew was rapping. So we were like, 'We should do it.' We weren't making fun of it; we loved it, and we wanted to be part of it.
I just need green. I need to wake up and see grass and squirrels. I don't want to see skyscrapers.
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