A Quote by Bobby Hull
Well, pioneers always suffer. I don't care who is the first to embark upon things. For instance, settlers that settled the West, Western Canada and the U.S... they went though hell doing it, but it had to be done.
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Well, pioneers always suffer. I don't care who is the first to embark upon things. For instance, settlers that settled the West, Western Canada and the U.S... they went though hell doing it, but it had to be done
There are always two kinds of people in the world - those who pioneer and those who plod. The plodders always attack the pioneers. They say that the pioneers have gobbled up all the opportunity, when, as a plain matter of fact, the plodders would have nowhere to plod had not the pioneers first cleared the way.
I had been reading a lot about pioneers in Australia and the colonization of Australia, and pioneers in Virginia and the early settlers in the United States, and I was fascinated by those communities and how they grew, how their politics developed, and the actual suffering of those people and the tribulations they went through.
The history of my state of Oklahoma offers a great example of pursuing the American Dream. It was built and settled by pioneers moving West to seek better lives.
I just had - we had instances - like, for instance, when I turned 13, she threw me a bar mitzvah. But nobody came.But nobody came because nobody knew what the hell that was. I only had black friends. No one knows what the hell you're doing.
I eternally fight internal battles about developing things that only appeal to the East Coast and the West Coast. For years I've been trying to do a Western, nobody's interested in doing a Western, how can that be?
Pioneers get slaughtered, and the settlers prosper.
Canada is like an old cow. The West feeds it. Ontario and Quebec milk it. And you can well imagine what it's doing in the Maritimes.
It's always been a subtext of our secular optimism that you solve the economic problem, and all other things sort of take care of themselves. Well, we seem to be doing well on the economic side - we are doing very well - and the other things are not solving - they're compounding.
While the government underwrote the West more than any other region, the myth claimed that hardworking Western cowboys and settlers wanted nothing from the government but to be left alone to work out their own destiny.
Since I've left 'Blue Peter' I've presented all sorts of different things. I've done a music show, for instance, and 'Blue Peter' had music on it. I've done a politics show, but on 'Blue Peter' I interviewed the Prime Minister. I've done travel stuff where I've gone abroad, but 'Blue Peter' had that within it as well.
I'm always interested in a claustrophobic situation where people might be powerless to do things. My first three novels were all about families. Things that happen in a house within a family, because you're a child or because you want to keep the family together, you suffer things you might not have had to suffer if you weren't in that situation.
I say a few good things about Canada in the book, you know. Americans are weird, though. We refuse to look at other countries. Start with Canadians - I want to think you aren't that different, so why can't we do our incarceration policies more like Canada? If we still had a 1970 level of incarceration which was the same as Canada's then and now, I never would have written this.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
Do you like him? Ty asked. "Not that I care." "I do," I said, because it was true. Even though it didn't matter anymore. "Not that I care you don't care. Though you clearly do care, and I don't care about that either." "Well, I don't care that you don't care that I don't care. In fact i'm glad. Because, um, if I were seeming someone that I liked, I'd want you to be happy for me.""Are you seeing someone?" I asked, pretty sure he wasn't. "Not that I care.
As a non-western artist, you have to ask yourself a question fairly early in your life: do I want to become a bridge maker, do I want my culture to be understood by the west? I have no intentions of doing such things. I'm fine being a little strange to a non-western audience. It doesn't bother me if my book doesn't change a generation of American readers.
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