A Quote by Bobby Knight
I hate casual shooting. Every shot is preceded by working to get open and catch and shoot under game like conditions
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If you have an open shot, and you're a shooter, and you've put hours and hours on the practice court shooting the ball, you shoot the ball in the game. It's just that simple.
I like filming in New York a lot myself, but London is accommodating to me; the weather's very good there and the conditions for shooting and the financial conditions, the artistic conditions are good, so it's a pleasant place to shoot.
There was, like, a week straight of shooting, where, like, all I did was shoot a machine gun. And I hate to - every - it went against all my Jewish and Canadian instincts, but I enjoyed every second of it.
When you move into becoming more of a shooting guard, you get more catch-and-shoot three's, lot of pin-downs and things like that where you shoot the three a lot more.
I used to catch and take a big dip down and then finally I'd try to shoot. That first year playing the NBA, I was realizing how little time you have to shoot the ball. The time you have from when you catch it to the guy closing out is just a split second. So I had to figure out a way to get my shot off quicker. Then it was just repetition.
I didn't like the way I shot the ball in Milwaukee, so I worked really hard on my shooting - threes off the move and off the catch. And also continued to work on my ball-handling and my in-between game - my runners and floaters.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
If your shot is broke, you at least want to shoot it comfortably. You want to be comfortable shooting a broke shot. You don't want to be uncomfortable shooting a broke shot.
It comes to the point where, if a midrange shot is there, I'm going to take it. If I'm open, I have to shoot that shot. That's a great shot for the team and myself.
Seventh grade is when I met my shooting coach and he fixed my shot. I used to shoot with two hands. Really ever since is when my I started to shoot real well.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
You look at today, it's a different situation. You have a game that has been transformed into a game where almost every shot is either an outside shot - a three-point shot - or a dunk.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
Guys telling you to shoot it when you're open - you have nothing else to think about, but if you're open or not. That's it. As soon as you catch it, you let it fly.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
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