A Quote by Bobby Kotick

One thing that probably is unique at Activision is that we really spend a lot of time up front with our audiences, and in big quantities and with a very thoughtful process, to really try and draw out from them what it is that they would like to play. So we have a pretty good sense going in what the expectation of the audience is.
We played a show the other week at this festival and it was an audience that I'd never normally play in front of. That's one the greatest things about festivals: you don't always get your audience, you get people who just pop in out of curiosity. The reaction was amazing; there were people dancing, which we've never had, I guess because the message is pretty powerful and the performance is a lot more visceral than it has been previously. The audiences seem to be reacting to that really well and it's a wonderful thing, because at a performance you really bounce off your audience.
We spend a lot of time and effort trying to figure out who's going to be a good NFL quarterback, and we do a very bad job of it. We don't really know. And we also spend a lot of time trying to figure out who will be a good teacher, and we're really bad at that too. We don't know if someone is going to be a good teacher when they start teaching. So what should we do in those situations in which predictions are useless?
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
I spend a lot of time hanging out with kids in their early twenties who feel like they've messed up and have really screwed up in a lot of ways. We spend a lot of time talking to them and saying, 'You can change that.'
I have a really good idea for a novel and would like to just kind of try my hand at fiction. I'm starting to kind of get a really good body of work going from a literary standpoint. As long as the audience is there, man, I'll keep cranking them out.
I've been really lucky to spend some time around actors and artists I really admire. One thing I gathered from asking a lot of questions is that part of this job and this life we've chosen is doing personal exploration in front of an audience. In a lot of ways, that's what art is: personal searching with people watching.
I've always drawn a lot. I like the idea of turning a 2-D sketch into a 3-D thing very quickly. And clothing is really good for that. You can draw an idea in the morning and you can see it by the end of the day. I think if it were something like a four-month process to get from the idea to the final thing, I would get quite bored.
I have a sewing machine that I adore, and I spend a lot of time sitting in front of it when I'm not working. And any excuse to paint or draw or do something artistic with my hands really gets me going. Definitely aspiring.
We [with husband] try and spend time alone, which is really hard to do. Of course, when you have kids they're like: "Why are you going out? You went out last night... you can't go out tonight!" so, you try to do that, and you try and ask somebody to please turn off the football game because you can't stand it any longer and you'd rather talk to them.You try to make time for each other where you can. You try to plan a trip away somewhere.
They're very sociable occasions and there's no barriers between us and the audience. It's customary that after our performances, we go out into the foyer and spend an hour or so signing autographs for the fans and having our pictures taken with them.We strongly believe that going out front to meet the fans is just as important as playing the gigs - and we all love a good natter!
It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.
There are a lot of bands who would get really big in Fort Worth and play shows on a Friday night that everybody would come out to. But I've never been really big in my hometown. My shows would have 10 or 15 people at them.
'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I don't regret it. I had a really good time.
When girls in Canada dream about becoming members of parliament, they have a pretty good expectation that parliament is going to be around for them when they graduate. There is no such expectation in Afghanistan. It's all still hope and wanting it but not really sure if it's going to be around.
I grew up on M*A*S*H and All In The Family and Cheers. And then around this time, this would have been '95, '96, I was so into Friends and Mad About You, the idea of being on a sitcom became a very real thing that I wanted. It was not so much a relief. It was really exciting. It's an amazing thing to be in front of an audience.
I would like to be mates with Richard Branson because I've hung out with him and he is just the loveliest person and obviously a very rich guy and has a lot of stuff going on, but he's actually a really, really sound person, and he's really positive and he's got a really good energy, so I'd like to hang out with him a bit more.
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