A Quote by Bobby McFerrin

I grew up in a time when being a musician and learning to be a musician was actually very wonderful. — © Bobby McFerrin
I grew up in a time when being a musician and learning to be a musician was actually very wonderful.
I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.
I recognize that as a musician there is a certain chauvinism attached to it, which is the thing of, "I spent my time learning how to play. You didn't spend time learning how to play, therefore, you are not a musician."
Well I'm a third-generation musician. My Grandfather's a musician and my father and mother were both musicians and so I'm a musician. It was just natural that I should be a musician 'cause I was born into the family.
Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
Slowly, over time, I learned enough that I started considering myself a musician, where I actually knew how to play instruments. But still, when I talk to my real musician friends, they're calling chords out, and I have no idea what they're talking about.
I think for a classical musician the goal is the same as an electronic musician. A very good professional classical musician must not think about technique.
I'm a musician, I always was a musician, and now I've got a song on the radio, so I'm definitely a musician.
My job of being a musician in a recording studio has nothing to do with being a musician being on tour performing.
I know I'm always going to be a musician, for the rest of my life. That's for sure. It's about how you balance between being a musician and being a parent, and making it intertwined.
I had this fantasy vision of what a career as a musician was like. And then I grew up and actually got in the business and realized, it doesn't often work that way.
The age of 18 seemed the right time to try something different in my life. Moving to the U.K. was a risk, and I was never confident that I could ever make a full-time living being a musician, but I had to try. Initially, I worked as a jazz musician in pubs or with bands.
I realized, that the life of a musician, even of a very lucky, very successful musician, wasn't really the life I wanted: I hate travel, I hate living out of suitcases, I hate the constant anxiety of being on stage.
Do not categorize about music. You take each musician at the time and open yourself to that musician.
I grew up in a very musical family, my father was a musician and a big band leader and made records.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
I don't think I have an image of being an underground musician. I have an image of being an uncompromising musician, and I am well known in Norway partly because of that.
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