A Quote by Bobby Orr

Sidney Crosby, our greatest player, I don't want to see Sidney Crosby in the penalty box. I don't want to see Sidney Crosby hurt. I want to see Sidney Crosby play. — © Bobby Orr
Sidney Crosby, our greatest player, I don't want to see Sidney Crosby in the penalty box. I don't want to see Sidney Crosby hurt. I want to see Sidney Crosby play.
I did a lot singing for one album for Crosby, Stills & Nash, and at the time, they didn't want anyone to know it wasn't Crosby.
But in my mind, I don't think there's any question Sidney Crosby is the best all-around player in the game. His hockey sense is so strong and so solid, combined with his God-gifted talent of being able to see the ice, see the entire picture in front of him. And, most importantly, I don't care how good you are, if you don't have a work ethic, it doesn't matter. There's no question that each and every game, he's one of the hardest-working guys on the ice. In my mind, he's the best player in the game today.
With Crosby, Stills and Nash and Crosby, Stills, Nash, and Young...we're very strong individuals, and we want our lives to be led the way we want them to.
With Crosby, Stills, and Nash and Crosby, Stills, Nash, and Young... we're very strong individuals, and we want our lives to be led the way we want them to.
I don't know about you, but I lie awake nights worrying about Canadian uranium. I know these people. I grew up there. You have no idea what they're capable of doing. If Sidney Crosby hadn't scored that goal to win the Olympic gold medal, there's no telling what might have ensued.
I'm looking forward to playing against Sidney Crosby as much as I am looking forward to playing against all of the other players in the NHL. And there is no rivalry.
When I became a director, I wanted to convince a very reluctant Sidney into allowing me to go on the journey of his life. Sidney had gone ahead of every other African American actor.
Sidney Poitier and Sidney Lumet were instrumental in helping me get started as the first black composer to get name credit for movie scores.
Hope and Crosby made seven 'Road' movies, starting in 1940 with 'Road to Singapore.' The movies were always about Crosby and Hope fleeing America and finding Dorothy Lamour in some exotic location. Bob's character was cocky and cowardly; Bing's character was smooth and unruffled. They were great characters - lousy, lovable guys.
Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.
I even asked [Saniyya Sidney] why she wanted to be an actor and she said, "I'm serious about this. These other little kids they want to play, and I don't have time for that."
I don't have sophisticated tastes. I have average tastes. If you looked in my collection of DVDs, you'd see 'Jaws' and 'Star Wars.' In the book library, you'd see John Grisham and Sidney Sheldon. And if you look in my fridge, it's, like, children's food - chips, milkshakes, yogurt.
I was walking around with the babies so much that when I got to the Sidney Lumet picture, I would be on set in between takes and I'd be rocking back and forth. Just standing like this rocking back and forth, and Sidney would say, Why are you walking like that in between takes?
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
I shall not want Honor in Heaven For I shall meet Sir Philip Sidney And have talk with Coriolanus And other heroes of that kidney.
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