I always think that it's important to step back and look at the facts, figure out what is big, what is small, and always target the solution and the policy issue correctly. Don't try to solve the wrong problem with unemployment insurance.
A football team is really a big family. There's a give and take... but a few are working for their name only. They go the whole week trying to figure out who said something, what they said and where it happened instead of showing that they're big men.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
When I make films I'm very intuitive; I'm instinctive. When you are shooting there's little time to think about abstract ideas, it's about getting things done, getting them right, and trying to channel the energies and get the best of whatever you have on your set. It's only once the film is finished that it's like, "Okay, let's try to figure out what happened." Try to figure out exactly what I did.
You lose weeks of sleep over a bad game, and a bad game could be one missed kick. So the ones you make, you just try to build on the confidence with it, and the ones you miss, you try to get it out of your head as quickly as possible and try to make the next one.
We were playing every game to win, we just happened to win 27 in a row. Our motto was to try and go out and win every game, but there's nothing really to talk about.
I basically try to visualize the team doing good things on the court the night before the game. I get shots up. There's not actually a pregame ritual that I do. I'm still trying to figure that out. I say a prayer. I go out with confidence.
You try to take advantage of taking control of the game when you know you may have guys on base and counts aren't in your favor or whatever. You just try to figure out ways to slow the game down to get back to the pace that you want it to be at, to try to get the momentum back on your side.
I'm not a great student, so I don't know that I would have been a great detective. Part of my brain sort of works that way, like wanting to figure out puzzles and figure out what happened and why people do the things they do and who they are and how it happened.
I would have to work on the song and figure out how they wanted the song done, because they're such high-intensity songs. We figure that out first, then I go back and listen to it and go over and rehearse stuff with it and try to get a feel for the words.
I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant, and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here in this life.
Every time I make a mistake with a company, I write it out and try to figure out why it happened.
As a player you can have a bad game and come back for the next game. As a coach you really can't do that. You have to dissect games night in and night out and figure what you did wrong.
We don't go out there to try and lose games of cricket, we go out there to try and win and play the best way we can.
But I don't really write to honor the past. I write to investigate, to try to figure out what happened and why it happened, knowing I'll never really know. I think all the writers that I admire have this same desire, the desire to bring order out of chaos.
You can lose a game but, I see guys every week including myself, you lose a game, it's a tough loss, you're down, two weeks later you forgot about it. You know it's amazing how down you were, but all of the sudden you're like it never happened.