A Quote by Bobby Wagner
Rookie year you get out there and want to make as many plays as possible, then second year you want to be perfect, and then you kind of find a combination between the two - making a lot of plays and trying to be as perfect as possible.
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It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
Jeff is the annoying kind of Scrabble player who plays a lot of obscure two-letter words that shouldn't count but for whatever reason are considered legitimate. My father is the annoying kind of Scrabble player who takes hours with his turn and then plays deliberately misspelled words that no one has the heart to call him out on. I am the perfect Scrabble player, both serious and considerate. Obviously I lost by a lot.
I'm 33 and in my "Jesus year," and I want it all right now. I want a perfect body. I want to have a perfect love affair. I want every member of my family to be healthy and happy. And I want the world to save itself and for America to realize that it has to give up its idea of being an empire. Wait until I hit 40; then it'll all come crumbling down.
It's hard when you're a young player, second year, to not play for like 10 games and then they throw you in and they want you to do everything perfect.
I want it all... fast. I want to be married, I want to live together... and then somewhere around a year or two years, I get freaked out. I freak out emotionally and then I actually feel like 'Oh my God, who's this stranger in my house?'
When I was a rookie, I was kind of just flying, trying to make plays.
If you want to train and work hard 3 months out of the year, well, then, UNI is a great place to go. If you want to bust your tail 6 months out of the year, you should be very happy at ISU. But if you want to train and develop into a champion 12 months out of the year, then Iowa is the place for you.
I think it speaks a lot to Coach Kidd and my teammates to trust me as a rookie to make plays down the stretch. When they put that confidence in you, it's hard not to try to make plays.
There are a lot of things that you learn as a rookie and you grow the most, I would say as a rookie from your first year to your second year.
You kind of look at the timeline of what has happened to me and with having a pretty good rookie year and the second year getting the injury and Kurt Warner played himself into the Hall of Fame in the last 3 years. There's not a lot I can do about that. I battled with a Hall of Famer two training camps in a row.
These first few years, it's more trying to figure it out. What's going on in the NBA? Where do I fit in? Then my second year, I'm a player. 'Can he actually start?' I played pretty well my second year. My third year, now I gotta solidify myself. Now I'm here, and it's about winning for me.
I gave up accounting. I went in for about six months writing ad copy. I was fired from that, and then another guy and I did a kind of poor man's Bob and Ray kind of syndicated radio show. Then I decided to stick it out and see what happened. I'd give it a year, a year became two years, and then two years became three years, and then along came the record album.
If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.
That's the fun part of it all. You get creative when you're in Little League. You're creative when you're in middle school. You're creative in high school and college. And then when you get to the league, this position, the more mobile quarterbacks, we have a tendency to want to become traditional and nervous and panicky in how we want to call plays and put guys in position to make plays.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
So many people are concerned with being the perfect 'something.' Whether it's the perfect singer, the perfect sexy girl, or the perfect feminist. I don't want to be the perfect anything.
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