A Quote by Bobby Wagner

A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
I listened to a lot of reggae music, a lot of Caribbean, a lot of gospel, a lot of rock, a lot of country, hip-hop... you know, so it just gave me perspective when it came to music and what I liked.
I grew up listening to a lot of rap music. My dad's a DJ from Brooklyn, and he's a very soulful guy, so he always spun a lot of hip-hop, and that's where I get a lot of my hip-hop influence.
I grew up listening to a lot of emo music, a lot of rock music, a lot of rap music, a lot of trap music, funk, everything.
When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.
A lot of the commercial expression of hip-hop leaves a lot to be desired - but then, there's a lot of whack gospel music, but I'm not leading a crusade against it. Of course, the vices of hip-hop are far more influential, I understand. But the good that hip-hop transmits, the power of the culture to rally the best of our protest, and uplift, and resistance, traditions, is often unfairly overlooked.
I feel like I have a lot of rhythm because I'm from the DMV. Because you got so many different types of music: Baltimore Club music, Go-Go, then you got the DMV rap music scene, then you got the DMV R&B music scene. It's a lot of music and it's a lot of taste that caters to most.
I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
I have a taste for a lot of different kinds of music... everything, from hip-hop to jazz to R&B to top 40 to alternative. There's a lot of good music out there. Every now and then, I'll flip through VH1 and watch the videos... the only thing I really don't listen to is country.
The rhythmic feel of 'Dark Days In Paradise' is completely different to anything I've ever done before. There's a lot of drum loops on there, but used in conjunction with real drums: a lot of influence from hip-hop and dance music, with the keyboard sound and sequencing.
To me, dance music is a lot of space - to listen to other things than melodies. I think club music and dance music really require a different way of listening.
Growing up in a house where there was a lot of different musical influences - my mom listens to soul stuff and Top 40, my sisters would listen to hip-hop - and the church, I grew up listening to a lot of gospel stuff. So I think that plays a role in how I make music now because my music has a lot of range. I don't just do one thing.
Other [artists'] music is really what you get most inspiration from, whether consciously or subconsciously. I like a lot of old music and a lot of soul music. I also really like a lot of new stuff.
I like hip-hop, I like a lot of dance music. If it's got drums in it.
I have considered rap music stars, and there is one in my new book, Lovers and Players, and there is also a hip-hop music mogul who I think you will like a lot.
I don't hate on the whole EDM thing happening in America because, although the music is not of my taste - a little bit brash for me - I think it's also introducing a lot of young people to dance music, and then they're discovering better dance music through it.
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