A Quote by Bobby Womack

Once upon a time, I could sing three hours. Now, when you see me say 'I'm done,' I'm done; ain't nothing left till the next night. — © Bobby Womack
Once upon a time, I could sing three hours. Now, when you see me say 'I'm done,' I'm done; ain't nothing left till the next night.
I'm not content. What I've accomplished already was good, and it was needed at the time in order for me to move on, but I'm so hungry I can't even tell you what was, I'm concentrating on what is to be. Once I knock that down, I'll go on to the next accomplishment until I can finally say, "that was the greatest." I can only say what it is when I'm done; and I'm not done, I have a lot of work to do.
I bobbed and weaved through my career. And in hindsight, though I'd like to say it was a plan - it was not - the bobbing and the weaving gave me a broad base from which to become an executive who could say, 'OK, I've done this, and I've done this, and I've done this.' And nobody could BS me, because I'd done most of it.
When I come offstage, if I've done a bad show or had a bad night, the fact that everybody was standing at the end or three or four times during the show means nothing to me. I know I could have done a better show.
I’m going to kill myself. I should go to Paris and jump off the Eiffel Tower. I’ll be dead. you know, in fact, if I get the Concorde, I could be dead three hours earlier, which would be perfect. Or wait a minute. It -- with the time change, I could be alive for six hours in New York but dead three hours in Paris. I could get things done, and I could also be dead.
I've done two 'Hamlets,' two 'Lears,' three 'Midsummer Night's Dreams' - I've done most of these plays more than once, and every time I direct them, I learn things.
There's nothing you can do that can't be done Nothing you can sing that can't be sung. Nothing you can say but you can learn how to play the game. It's easy. Nothing you can make that can't be made. No one you can save that can't be saved. Nothing you can do but you can learn how to be you in time. It's easy. Nothing you can know that isn't known. Nothing you can see that isn't shown. Nowhere you can be that isn't where you're meant to be. It's easy.
Somebody said that it couldn't be done But he with a chuckle replied That "maybe it couldn't," but he would be one Who wouldn't say so till he tried. So he buckled right in with the trace of a grin On his face. If he worried he hid it. He started to sing as he tackled the thing That couldn't be done, and he did it.
I have a German friend who works on memorialization. The last generation of Nazis and Holocaust survivors are now dying. So literally, we are threatened now for the first time ever, with memorializing that, with no first-person account of it left on earth. There's a lot of worry amongst scholars in Germany about what comes next: "All the memorialization has been done, we've done with everything we can."
Every night, I will write until I'm done. Until my eyes are burning and tearing, and I can't see the computer screen anymore, till I finish the script, till I get to the point where I'm happy stopping, till I get everything off my plate, because I hate going to bed with a full plate. It makes me very neurotic.
All that I have said and done, Now that I am old and ill, Turns into a question till I lie awake night after night And never get the answers right.
In the end there is nothing to be done but to state clearly what has been done, without shame or regret, and say: Here I am, and this is what I am. Now deal with me as you see fit. That is your right. Mine is to stand by the act, and pay the price. You do what you must do, and pay for it. So in the end all things are simple.
I'm not saying my fans are stupid, but I once left a cabbage onstage next to a harmonica and nobody noticed for three hours
I now look at the things I could have done better and instead of beating myself up about it, since I can't turn back time, I try to remember to ask myself, "what was this experience sent to me to teach me?" I think specifically about what I will do better next time, then I actively look for moments to practice for the next time.
Some days I would be there at ten in the morning and wouldn't leave till ten at night, and the others would waltz in for a couple of hours and then leave, because I was doing that painting thing. And they were happy to see that being done.
I don't sing. If I could sing or dance, I would have done something really gross in a G-string by now - when I wasn't working and was desperate - and ruined my career.
You look at a clock and it tells you it's eight o'clock, you know the number of hours that has been before eight; you know the number of hours you've got after eight. You can now measure your time to see if you can get done a number of things you've got to get done. History serves the same purpose.
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