A Quote by Bobcat Goldthwait

I really like 'Disaster Artist.' — © Bobcat Goldthwait
I really like 'Disaster Artist.'
I'm really glad that I spent my twenties messing around and having disaster after disaster - with people who were doing likewise - because it's really my greatest treasure now.
'The Disaster Artist' isn't really about 'The Room.' It's about friendship and how dreams can come true.
When you study, as I did, every theatrical beginning in this country, none of them have been greeted well. The Royal Shakespeare Company was a disaster, Peter Hall was a disaster, Richard Eyre was a disaster, Trevor Nunn was always a disaster.
For an artist, to be normal is a disaster
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
Other than the 'Sesame Street' soundtrack, which I was obsessed with, the first artist I really felt I'd discovered on my own was Amy Winehouse. She was the first female artist I wanted to write like and sing like and be like.
When I like an artist, especially a female artist, I really try to support.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
I learned with 'The Disaster Artist,' when I was writing the book, the audience will follow you if you really try to do something different. The biggest thing is, you want to be genuine and try to surprise your audience with kind of a new direction.
I think I'm enjoying writing for me.I know what's in my head, so there's a little less margin for error, but I think I really would like to write for an artist, and obviously it really depends on the artist, and the sort of story I would do.
The child is really an artist, and the artist should be like a child, but he should not stay a child. He must become an artist. That means he cannot permit himself to become sentimental or something like that. He must know what he is doing
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
I think for the disaster to work and the drama to work, you really need to feel like you're really in that world.
President Obama said he is going to use the Gulf disaster to push a new energy bill through Congress. How about using the Gulf disaster to fix the Gulf disaster?
As a country with experience of coping with earthquakes, tsunamis and other natural disasters, Japan believes in emphasizing the mainstreaming of disaster risk reduction. We therefore prioritize investment in disaster prevention and post-disaster improvements under a policy of Build Back Better (BBB).
James Franco, Seth Rogen, and Evan Goldberg are the ideal guys to adapt 'The Disaster Artist.'
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