A Quote by Bobcat Goldthwait

Even when I was a kid - I was really young - I was drawn to comedy. — © Bobcat Goldthwait
Even when I was a kid - I was really young - I was drawn to comedy.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
A prodigy to me is someone that is enormously gifted at a young age - to the point that people can't deny it. I think when you are a young kid and you are a prodigy, other parents, when their child is on your team, they aren't even mad that their kid isn't getting the shine because that other kid is special.
I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
I'm really drawn to comedy. I grew up in the South, so I'm drawn to all things southern, so my role in 'Getting On' has been fun for me to play something southern - I always feel like I understand those characters more because of where I was raised.
I wasn't drawn to comedy: it was drawn to me - from fighting in school to going to jail, then joining the military and getting into Hollywood.
I think that comedy really tells you how it is. The other thing about comedy is that - you don't even know if you're failing in drama, but you do know when you're failing in comedy. When you go to a comedy and you don't hear anybody laughing, you know that you've failed.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I love doing improv. I love comedy. I have always felt this way, even when I was really young.
I'm drawn to punk. I'm drawn to samba a bit. I don't think there's a type of music I'm not drawn to. Lykke Li I really like. Holy Sons I still can't get enough of.
I'm really drawn to chameleons; I'm really drawn to people who can play a wide range of roles, who are really versatile, but are so in a way that's with ease.
When I look back on my reading habits when I was really young, I was really drawn to stories about strong girls who in some ways are outsiders.
Because I was a dancer when I was a kid, I have so much empathy for these young girls who are so drawn to something lovely in music and in movement, and yet they encounter a world full of judgment and criticism of 11-year-old artists and bodies.
I'm not drawn to stories that are just sort of fluffy. I'm just not, and I've tried to, and as a kid I was never drawn to them. I always chose complicated.
I have career ADD, he says. I have career dissatisfaction. Even as a young kid, I'd have that. I'd get really passionate about something and then I'd realize, 'I don't want to do that!
As a kid, you just like anything fanciful that you're into, but as an adult, I really love that kind of place where the super hero mythos meets life, where it has that human story; that's what I think I was really drawn to when I started getting into the X-Men.
Back in the day as a kid, I was really drawn to the Hulk because it just felt so human and was probably one of the first stories that I felt emotionally invested in and not just thought it was really cool. You really feel for that person and put yourself in that situation.
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