A Quote by Bobcat Goldthwait

I've probably done myself a disservice as a brand because the movies I've made. They've all been completely different. — © Bobcat Goldthwait
I've probably done myself a disservice as a brand because the movies I've made. They've all been completely different.
I've been very lucky enough to do all kinds of movies. All the movies that I've done have been very different, and all the characters I've done have been very different. I feel very lucky to have been able to do the movies that I've done.
Nothing that I've turned down do I feel like I should have done. Because I've generated everything I've done, I've never really considered doing something that I haven't originated myself. There are definitely things that I've been brought that someone else made good movies out of. But it's not a path I've followed, so I don't have regret.
I think the idea of a distant, far off dystopia, where the world is completely different from what we have now, is good, but it's been done. Especially in YA movies.
I think you are doing a disservice to a novel just by transposing it wholesale onto the screen, because it doesn't work. They are completely different beasts.
I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.
I'm apologetic when I feel like I've made a mistake. And when I have done a disservice to myself or someone else. But I don't feel a need to apologize for doing or saying something that I think needs to be said, just because it may not sit comfortably with somebody else.
With a lot of the movies that I've done, they've been both dramas and comedies from Shanghai Noon to Billy Bob Thornton's second movie, Daddy and Them, to just a bunch of movies that I have done have been comic, and they're usually from a cynical kind of pessimistic point of view which is probably my sense of humor, and this is a part of myself in everybody that I play.
Every job I've done so far, every character has been completely different, and that's really important to me because I don't want to fall into a stereotypical box. Of course, every actor has their box, and you have to respect and play for it, but I do love challenging myself.
Movies are not scripts - movies are films; they're not books, they're not the theatre. It's a completely different discipline, it exists on its own. I would say that the beauty of it is it's not the theatre, it's not done over again. It's done in bits and pieces. Things are happening which you can't get again. I forbid anyone to say "Cut", the soundman, the operator, or whatever.
I know I repeat myself in all my movies, but I just let it go, let it happen. Clearly, I'm not finished with that issue. But they seem to me like completely different movies. They're definitely coming from me.
A lot of the best work I've ever done started out as something completely different because I gave myself permission to have space around my time and expectations.
I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.
I think I would love to do a role where I completely transform myself and look completely different, act completely different, and do some crazy, cool, action drama where I was undercover and saving the world.
We have done a tremendous disservice, not only to Middle East, we've done a tremendous disservice to humanity.
Just because you've made a couple movies, you've done some good movies, you've been nominated for some Academy Awards, whatever, nobody's entitled. It's a business. If they don't see it, I can think they're wrong, but I'm not entitled to a $15 million budget to make a film.
When you have to cast movies from a producer's standpoint - when you've been on the other side of casting sessions - you just get a completely different perspective on what that process is of getting a job for an actor. You realize how completely impersonal it is. If anything, I think it's made me a lot less sensitive. So much of this is logic and business, and it's got nothing to do with whether people are good or not. Unfortunately, I think that's one of the last things that gets factored in when you're assembling a cast.
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