A Quote by Bobcat Goldthwait
I do live a very Hugh Beaumont existence. I'm up every morning, taking my kids to school and all that, which obviously does interest me. But then it's taking meetings with goofballs and auditioning for crap, and then I spend a lot of time on the road.
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The problem - not problem, but main thing - for me has been adjusting my kids... Four-year-old twins! I'm waking up in the morning for rehearsal, taking them to school, and then having to go to rehearsal - trying to do a 15-minute warm-up, even on the subway.
I remember my mother doing housework until four in the morning and then a couple of hours later taking me to school.
My kids are in school and in all these clubs - chess club, fashion club, you name it. When my dad came home from work, it was late, and when he left, it was early in the morning. On my days off, I'm still taking my kids to school and picking them up. I do what I have to do to keep that relationship.
To tell you the truth, if you're looking at rising pretty high, then you need to find a way of taking care of these problems and not taking time off. At the end of the day, it is a very tough competition. And in a very tough competition, if you just take breaks, then it's going to become much, much more difficult.
In 2010, my kids came home telling these ridiculous stories about me they heard from school. I realized my kids didn't know my story, and they were hearing it from the goofballs at school.
I went to art and design high school with a lot of people taking fashion. They would get up in the morning, and what they put on meant a lot to them.
Having a son had an immediate impact on me, that's when I started taking my business, my time and having something to show for myself seriously. My time has to be compensated. People may call me materialistic or whatever but if I spend 20 hours away from my son, if I don't bring anything home, then what was I doing with my time? It's simple, it's my son and then everything else.
The average American worker gets something like 14 days of paid vacation. In my school, you'd use up ten of those taking care of your kids on teacher professional days, then tack on a couple more for kids getting sick.
For me, acting is like a holiday. I spend a lot of time at home with my kids, and then every so often I go out and flex my creative muscles on stage.
There are a lot of things going on that's causing a lot of these young kids to head in the wrong direction. I know a lot of kids that are cutting school. I try to give out a positive message, trying to get kids focused. If they don't then they're going to end up like every other hoodlum in the street.
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
You know what I like to do? I love waking up early, making them breakfast, taking them to school, having time in the morning with them. With six kids, it's like a reality show.
First, I started taking dance classes, and then I started taking singing lessons. Then my mom put me into a year-round theatre program where I did seven shows.
A completely disrespectful photographer was asked to stop taking photographs, and then said, 'I've got what I want. What are you going to do about it?' How would you feel if somebody walked up and started taking your photograph? I don't think you'd be very happy.
Training for the Olympics was much easier than balancing my life now! When practice was over, there was time for me. But with four kids and a career, I have no downtime. When I'm not on the road, I finish my workday at 2:30 p.m. Then I pick the kids up from school and they get 100 percent Mommy, not part Mommy and part Mary Lou Retton.
I spend time editing and massaging each note. Then I start layering with different instruments, adding harmonies, counterpoint, and whatever the song calls for. Then I arrange it into a whole piece, and decide where I need to add live musicians. It takes a lot of time, but it is very satisfying once it is complete.
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