A Quote by Bobcat Goldthwait
I was actually offered a talk show on CBS at one point, and I just didn't want to do it.
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I've actually taken meetings about hosting a late-night talk show. I don't know that what we know as a late-night talk show is what I want. But I've been talked into a talk show, but it would be different.
Some athletes feel they have to show they're confident and talk about what they're going to achieve. I don't think there's anything wrong with just quietly believing in yourself and just getting on with it. You don't have to talk about it all the time; you want your performances to show for it.
I'm real excited about being on CBS and hosting this show. I have been studying all of the great CBS shows. I think I'm prepared, so if you're ready, let's have the first item up for bids.
I'd actually rather have a talk show in Australia than even America; I hope I do end up with a talk show.
I don't want fame as far as the tweeting or the image of it. But, the idea of being famous is actually exciting to me, just because then you can have a choice in what you do. I would like to be at a point where I'm not asking for parts anymore, and I'm actually just choosing between a part that I want to do.
I don't do that virtual reality stuff. I'm not even into 3D, actually... I've been offered it. I just don't want to.
Some directors hand over portions of their movie to their head of department to the point where it's like, "I'm not going to talk to you about the costumes, but I'm going to let you talk to the expert." Rather than, "You want to talk stitching, let's talk stitching. You want to talk grade of leather? Let's."
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
'Baskets' isn't a CBS show. Nothing against that, but this is an off-kilter show on cable that the channel lets you do interesting things. Look, if it works, it works. And if it doesn't, it's just a miniseries.
The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.
I definitely want to start my own production company at some point. I'm actually teaming up with Funny or Die to put together a TV show right now, that I can't really talk about because it's still in the very preliminary stages, but if it pans out this will be the first project under my production company, which I have yet to name.
Even failures can turn into something positive if you just keep going. I wrote a television pilot called 'Head of the Family.' CBS didn't want it. It was considered a failure. But we reworked it. A year later, it became 'The Dick Van Dyke Show.'
The P.C. police are out in force at all times... We've reached a point where people are actually afraid to talk about what they want to say.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
I'd like CBS, at this point, to say where they got those documents from. I think they should say where they got these documents because I thought it was a very poor job of reporting by CBS.
I wouldn't want to be a talk show host. That's another awkward compliment people make. 'You should have your own talk show.' And I think, no thank you.
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