A Quote by Boethius

He who has calmly reconciled his life to fate, and set proud death beneath his feet, can look fortune in the face, unbending both to good and bad; his countenance unconquered.
He who has calmly reconciled his life to fate ... can look fortune in the face.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
You cannot tell whether a person is good or bad by his vicissitudes in life. Good and bad fortune are matters of fate.
Look in the face of the person to whom you are speaking if you wish to know his real sentiments, for he can command his words more easily than his countenance.
For if, when we were enemies, we were reconciled to God by the death of His son, much more, being reconciled, we shall be saved by His life.
His face set in grim determination, Richard slogged ahead, his fingers reaching up to touch the tooth under his shirt. Loneliness, deeper than he had never known, sagged his shoulders. All his friends were lost to him. He knew now that his life was not his own. It belonged to his duty, to his task. He was the Seeker. Nothing more. Nothing less. Not his own man, but a pawn to be used by others. A tool, same as his sword, to help others, that they might have the life he had only glimpsed for a twinkling. He was no different from the dark things in the boundary. A bringer of death.
Be of good hope in the face of death. Believe in this one truth for certain, that no evil can befall a good man either in life or death, and that his fate is not a matter of indifference to the gods.
I have seen him set fire to his wigwam and smooth over the graves of his fathers... clap his hand in silence over his mouth, and take the last look over his fair hunting ground, and turn his face in sadness to the setting sun.
A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetratable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heartm speaks and acts against his feelings.
Let every man in mankind's frailtyConsider his last day; and let nonePresume on his good fortune until he findLife, at his death, a memory without pain.
My feet are killing me." "I knew somebody who had feet like that. They'd walk all over him. Archie Kashanian was his name. He used to wake up with footprints all over his chest, all over his face. It was the death of him, finally.
It is not the man who is beside himself, but he who is cool and collected,--who is master of his countenance, of his voice, of his actions, of his gestures, of every part of his play,--who can work upon others at his pleasure.
Amid the worry of a self- condemnatory soliloquy, his demeanour seemed grave, perhaps cold, both to me and his mother. And yet there was no bad feeling, no malice, no rancour, no littleness in his countenance, beautiful with a man's best beauty, even in its depression. When I placed his chair at the table, which I hastened to do, anticipating the servant, and when I handed him his tea, which I did with trembling care, he said: "Thank you, Lucy," in as kindly a tone of his full pleasant voice as ever my ear welcomed.
Grover wore his fake feet and his pants to pass as human. He wore a green rasta-style cap, because when it rained his curly hair flattened and you could just see the tips of his horns. His bright orange backpack was full of scrap metal and apples to snack on. In his pocket was a set of reed pipes his daddy goat had carved for him, even though he only knew two songs: Mozart's Piano Concerto no. 12 and Hilary Duff's "So Yesterday," both of which sounded pretty bad on reed pipes.
At first sight, his address is certainly not striking; and his person can hardly be called handsome, till the expression of his eyes, which are uncommonly good, and the general sweetness of his countenance, is perceived.
The daily life of a genius, his sleep, his digestion, he ecstasies, his nails, his colds, his blood, his life and death are essentially different from the rest of mankind.
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