A Quote by Bojan Bogdanovic
I just have to be ready and shoot it no matter what percentage I'm shooting.
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I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
For me, it's never really been a road block for me to shoot, it's just a matter of me continuing to shoot and shooting with confidence.
I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.
I think everything happens for a reason. With my game being the way it is, if I did shoot 80 percent, I'd be a harder person to deal with. It just keeps me humble. Just imagine me in my game shooting the same percentage that Reggie Miller shoots. I wouldn't even talk to you guys because I wouldn't have to.
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
Shooting a horror story with kids, I always explain really simply. They may be scary to watch, but they're a lot of fun to shoot. You know, the kids have a great time shooting these movies. Whether you let them watch it is another matter.
I'm trying to be myself, trying and be aggressive no matter what percentage I'm shooting.
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
I was constantly shooting. Sometimes I would shoot through the night and in the morning go to my next shoot without any sleep or just two hours of sleep.
I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.
If you know how to shoot, and are quite ready to shoot, the chances are that you won't have to shoot.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
Shooting percentage is just as much about decision making as it is about technique
I can't tell you how many reshoots I've done from, you know, famous photographers who really love just to shoot models and failed at shooting a Patti Labelle or someone like that because Patti Labelle didn't turn them on, so you have to shoot what you care about.
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