A Quote by Boney Kapoor
I fell in love with Sri when I watched her Tamil film during the late 1970s. After watching her film, I wanted to know more about her.
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I wanted to fathom her secrets; I wanted her to come to me and say: "I love you," and if not that, if that was senseless insanity, then...well, what was there to care about? Did I know what I wanted? I was like one demented: all I wanted was to be near her, in the halo of her glory, in her radiance, always, for ever, all my life. I knew nothing more!
I started my career with her. I was supposed to do my first film in Tamil in which she was the other heroine. The film was titled 'Vennira Aadai.' It was a love triangle, with Jayalalithaaji and I playing the hero's two love interests. But the director Sridhar removed me from the film after a few days' shooting.
It would be great if I am offered a film with Sonakshi. I've watched her in 'Dabangg' nearly four to five times and I did SMS her about her performance.
Yes, I saw Twilight - my granddaughter made me watch it, she said it was the greatest vampire film ever. After the 'film' was over I wanted to smack her across her head with my shoe, but I do not want a (tell-all) book called Grannie Dearest written on me when I die. So instead I gave her a DVD of Murnau's 1922 masterpiece Nosferatu and told her, 'Now that's a vampire film!' And that goes for all of you! Watch Nosferatu instead!
I really like IU... I just think she has the most adorable everything. Her voice is beautiful; she's talented at writing music, guitar, everything. I fell in love with her when I watched her on that drama 'Dream High.' That's probably when I first really fell in love with her.
The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.
I have a memory of listening to Tracy Chapman and just being intrigued by her voice. Even as a young girl, I wanted to know more about her and her story. I felt I was learning about her through her music. That was a revelation to me.
I missed the sound of her shuffling her homework while I listened to music on her bed. I missed the cold of her feet against my legs when she climbed into bed. I missed the shape of her shadow where it fell across the page of my book. I missed the smell of her hair and the sound of her breath and my Rilke on her nightstand and her wet towel thrown over the back of her desk chair. It felt like I should be sated after having a whole day with her, but it just made me miss her more.
My mother Naseem Bano who was called the first 'Pari Chehra' or beauty queen of the film industry, had taken me to London after she saw me taking fancy to her ghaghra, lipstick and dance to the tunes of her film songs. For her, academics were more important than films.
I would love to make Madhuri Dixit dance. If I do a film with her, it definitely has to be a 'Madhuri Dixit film'. I don't want to cast her in a small role. I will do a full- fledged dance film with her.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
I'm still in awe of Madhuri. I've grown up watching her movies, and to see her in a film like 'Dedh Ishqiya,' which is quite unlike her previous work, was wonderful.
He loved her for being so beautiful, and he hated her for it. He loved how she put shiny stuff on her lips for him, and he also reviled her for it. He wanted her to walk home alone, and he wanted to run after her and grab her up before she could take another step.
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
I treat myself like I would my daughter. I brusher her hair, was her laundry, tuck her in goodnight. Most importantly, I feed her. I do not punish her. I do not berate her, leave tears staining her face. I do not leave her alone. I know she deserves more. I know I deserve more.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
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