A Quote by Bonnie Aarons

I can say I've had a difficult time. I've literally been told, 'Oh, no one is interested in seeing you. No one wants to see somebody that looks like you on TV.' — © Bonnie Aarons
I can say I've had a difficult time. I've literally been told, 'Oh, no one is interested in seeing you. No one wants to see somebody that looks like you on TV.'
The day that I saw Whoopi Goldberg on television, I cried so hard because I kept looking at my daddy going, 'Oh my God. There's somebody on TV that looks like me! She looks like me! Yay! I can be on TV! I can be on TV! I can do it! Look at her - look at her! She looks just like me.'
I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.
Menshikov wants to see the old gold swallowed by Apophis. He wants to see the world plunged into darkness and chaos. He is quite insane. "Oh." [great response, I know. But what do you say to a story like that?]
It is weird. People will say, "Oh my God, I love you." And I'll say, "Oh, that's so sweet. Thank you." And the people who are walking around with me for the first time will say, "I don't understand what happened. Somebody just told you they love you. I don't even understand what that means."
It is weird. People will say, 'Oh my God, I love you.' And I'll say, 'Oh, that's so sweet. Thank you.' And the people who are walking around with me for the first time will say, 'I don't understand what happened. Somebody just told you they love you. I don't even understand what that means.'
I like to see a driven kid: somebody who wants to come from the ground up. I love to see somebody who wants to be the best they can be.
We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
Seeing RuPaul go out there and not only create music, but TV and film roles, and continue to go down so many creative avenues - that is inspirational. For a person of color like myself, I see RuPaul and I say, 'Oh, honey, I can do it too.'
I have been told you don't have time to think too much when you get the ball in England. In practice it looks even more dynamic than on TV.
I've been a jealous person myself. I've been distrustful, convinced that somebody's having an affair with somebody else. If you believe it in your head, everything looks like a lie. When you're looking for it, you always see it - even the change of expression in their face.
You can't really explain competing in Olympic event to someone. You can say, "Oh, that was really tough." And that literally means nothing to someone. If you can give some sort of comparison, because that's really all track and field is about any way....Usain Bolt runs a time and you get to see what everybody else's time is. It would just be interesting to compare Olympians to somebody who doesn't train their whole life.
Seeing, say, 'My Left Foot,' and 'The Last of the Mohicans.' How is that the same person? Or people like Johnny Depp, who can play Jack Sparrow and Edward Scissorhands. I am so interested in the transformation, in not knowing anything about them and watching somebody create a character. I'm not really interested in personalities.
I've been receiving a lot of emails and messages from folks that say, 'Hey, my kid saw you and they're so excited and it's great that he can look at the NASA TV broadcast and see someone that looks like him,' and I think that's important.
I don't want to put nobody on blast but in the beginning it's like somebody telling you somebody looks like you and you've been looking in the mirror your whole life and nobody looks like you. Same thing with me.
Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
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