A Quote by Bonnie Bassler

I am lucky because I get to work with the smartest, most creative, and most devoted group of students and postdoctoral fellows imaginable. — © Bonnie Bassler
I am lucky because I get to work with the smartest, most creative, and most devoted group of students and postdoctoral fellows imaginable.
Students and postdoctoral fellows largely depend on the support of the public sector to finance the training and research that will make them world-renowned scientists.
I am devoted to my husband and son. I am devoted to the practices and rituals that imbue our lives with a sense of meaning and purpose, that help me to live my days in the most emotionally and intellectually productive manner. I am devoted to the idea of devotion itself.
For students who are in the most creative group in America to somehow be presumed to be narrow is just completely meshugga.
We got together in a few days a company of the toughest old salts imaginable--not pretty to look at, but fellows, by their faces, of the most indomitable spirit.
Most teachers of self-discovery have two types of students. They have students they deal with in a more exoteric way than the esoteric students. Esoteric truths are presented to usually a smaller group of students.
I had many moments of disappointment, despondency, and exhaustion, but I always found that by reading the literature and showing up at my lab looking at the data as they emerged day by day and discussing them with my students and postdoctoral fellows, I would gain a notion of what to do next.
I am not only lucky to be an actor, but I am lucky to be one of the most privileged actors in the world because I can do all kinds of films and genres and everything.
I'm so proud of Jason's [Benjamin] work. I can say this and he can't, but there's no group of documentary subjects more devoted to their documentarian. The vibes are really positive, and I feel so lucky.
If I place love above everything, it is because for me it is the most desperate, the most despairing state of affairs imaginable.
I cast people from right around me. I was at my alma mater. It's special to have most of the graduate students in it [and] one professor, because I feel like in terms of this school, I was one of the few students lucky enough to break into the art industry or the contemporary art world.
It is true that ADs do not get a chance to get a chance to create or produce, almost never, because it's whole separate thing. Most creative producers you have to come up on the development side, you work with agents, you work with writers, you're in the office and then the AD's are on the set. But it's a real shame because part of - no decision in producing can be made correctly unless you have all the creative information you need but you also have all the budget and scheduling information you need.
I've been lucky to work with some of the most creative people and it's true that I enjoy filmmaking and I'm an enthusiast.
They're the smartest, most cunning, slick, coolest group of people on the planet. Generation Z, I love y'all.
Most people with a big idea, great talent and/or something to say don't get lucky at first. Or second. Or even third. It's so easy to conclude that if you're not lucky, you're not good. So persistence becomes an essential element of good, because without persistence, you never get a chance to get lucky.
Most actors are lucky to ever get a job, period. I never forget that, because I have so many actor friends in L.A., and most of us barely ever work. And those of us that do, it's still only 60 days out of the year that we're actually on camera. It's an absurdly low number.
I invited a group of students to my studio to expose them to both the creative and business sides of the fashion industry. It was fun because the group was so bright and full of curiosity. They asked really challenging questions about all aspects of the business and absorbed so much information so quickly.
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