A Quote by Bonnie Hunt

If you're authentic, people smile because they sense there's a piece of themselves there. — © Bonnie Hunt
If you're authentic, people smile because they sense there's a piece of themselves there.
I always talk about if you want to be an artist, you have to be authentic because people can tell bullshit a mile away. There is nothing wrong with creating a character, standing behind that character, and that being an authentic performance piece, because that's a piece of art as well. But if you want to be an artist in any form, you have to know to come with it.
People who experience themselves as authentic are also experiencing themselves as myth, but that's not the narrative they're going with.
All of these different strands in me - the black, the white, the African - all of that has contributed directly to my success because when I meet people, I see a piece of myself in them. And maybe they see a piece of themselves in me.
If you are going to do something, you have to do it for yourself, and that's what I try to do. I try to be authentic and try to be original, so that's what I try to be. A lot of people try to build big brands but have received bad advice, and they don't try to be authentic and real with themselves.
What a sight there is in that "smile!" it changes like a chameleon. There is a vacant smile, a cold smile, a smile of hate, a satiric smile, an affected smile; but, above all, a smile of love.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
Failure is authentic, and because it's authentic, it's real and genuine, and because of that, it's a pure state of being.
The basis of national identity is to say, "This is authentic to me or my forebears," and is there even such a thing? How authentic is it to your life? Just because your grandfather did it, what does that have to do with you? If I say I'm working in the style of Rembrandt, so what? You can say it, but are you really? No, because when you try to literally copy a cultural artifact, you change it. It dissolves, and then who's looking at it? People who appreciate that kind of drawing, or people it means nothing to?
We loved the line 'I'm a luxury... few can afford.' It still makes me smile. It's a jumper for people with a sense of style and a sense of humor.
Rob Goffee and Gareth Jones wrote a great piece in Harvard Business Review titled "Managing Authenticity." In it, they argue that establishing authenticity as a leader is a two-part challenge: "First, you have to ensure that your words are consistent with your deeds; otherwise, followers will never accept you as authentic. The second challenge of authentic leadership is finding common ground with the people you seek to recruit as followers.
A lover makes you smile like children smile. That smile that was only meant for you. The half smile. The big shiny smile full of teeth and white enamel and pink gums. The smile that fades in the distance as I drive away in a taxi again.
If you are doing a piece about somebody, even if you admire them tremendously and express that in the piece, express that admiration, if they're not used to being written about, if they're civilians, [...] they're not used to seeing themselves through other people's eyes. So you will always see them from a slightly different angle than they see themselves, and they feel a little betrayed by that.
I think that it's hard for vain people to be funny. I think you can look any way you want as long as you have a good sense of humor about yourself. People who are concerned with their looks and what they're wearing and how they present themselves tend to have less of a sense of humor about themselves.
I would love to do a period piece - in the 18th or 17th century. To me, it would be such an incredible challenge because of the way people carried themselves. There are so many incredible stories within those centuries - just the language and the way they carried themselves and what they were going through.
Everyone knows how to smile. Its one of the greatest gifts God has given us. A smile makes people feel good, and people look so beautiful when they smile.
You just have to be authentic. You can't fake a smile. You have to do what you actually enjoy.
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