A Quote by Bonnie Jo Campbell
A mathematical proof is beautiful, but when you're finished, it's really only about one thing. A story can be about many things.
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One of my colleagues likes to say that, mathematics is the - he thinks about the only subject that he knows in academia or in the real world where if two people disagree about something - if people are studying some mathematical object and there's supposed to be a proof and they disagree about whether this proof or not, the will go into a room, sit down and talk about it and fairly quickly or at the end of the day one of them will admit they're wrong.
I am obliged to interpolate some remarks on a very difficult subject: proof and its importance in mathematics. All physicists, and a good many quite respectable mathematicians, are contemptuous about proof. I have heard Professor Eddington, for example, maintain that proof, as pure mathematicians understand it, is really quite uninteresting and unimportant, and that no one who is really certain that he has found something good should waste his time looking for proof.
There's a beautiful thing about experience. There's a beautiful thing about veteran smarts, but there's also a beautiful thing about youth and the potential that creates down the road.
The thing I always guard against when I'm talking to people I'm working with about a script is that there's a thing I don't like and it's called "talk story." It's when you're talking about the story; the characters are tasked with talking about the story instead of allowing the audience to experience the story.
Formal logic is mathematics, and there are philosophers like Wittgenstein that are very mathematical, but what they're really doing is mathematics - it's not talking about things that have affected computer science; it's mathematical logic.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
There are some things about myself I can’t explain to anyone. There are some things I don’t understand at all. I can’t tell what I think about things or what I’m after. I don’t know what my strengths are or what I’m supposed to do about them. But if I start thinking about these things in too much detail the whole thing gets scary. And if I get scared I can only think about myself. I become really self-centered, and without meaning to, I hurt people. So I’m not such a wonderful human being.
Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
If you are pointing out one of the things a story is about, then you are very probably right; if you are pointing out the only thing a story is about you are very probably wrong - even if you're the author.
The fact that Edward Snowden didn't approach the New York Times hurt a lot. It meant two things. Morally, it meant that somebody with a big story to tell didn't think we were the place to go, and that's painful. And then it also meant that we got beaten on what was arguably the biggest national security story in many, many years. Not only beaten by the Guardian, because he went to the Guardian, but beaten by the Post, because he went to a writer from the Post. We tried to catch up and did some really good stories that I feel good about. But it was really, really, really painful.
I try to be as optimistic as I can. I feel like that's the beautiful thing about art and music. It can take you places, and they can be a positive influence. A very soothing influence. Honestly, I feel like there's enough pain and terrible things that happen in life. That's beautiful thing in art, you can really idealize things.
The fact that I can travel around the world doing what I love is such a blessing. I've learned that traveling is such an important thing; there's so many beautiful things out there and we get worried about such little things.
The great thing about fiction is you can talk about things without being didactic about them, but hopefully forge a connection with people and an understanding about a shared humanity that tells its own story.
It's hard to say what an album is about - because each one is usually about a lot of things to me, but then I hope it also can mean a lot of different things to someone else. That's the beautiful thing about music.
The goal is always about the next story. It's always about the thing I haven't done before. It's about learning, or it's about becoming better, and it's about whatever story grabs hold of me.
Well, this is a story about books." About books?" About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind." You talk like the jacket blurb of a Victorian novel, Daniel." That's probably because I work in a bookshop and I've seen too many. But this is a true story.
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