A Quote by Bonnie McKee

I've always felt my spirit animal was a Tiger, so it's funny that now in 'Roar' with Katy Perry - which is a song we write together - there's the line: "I got the eye of the Tiger..." So I feel like there's a little bit of me in there.
Khrushchev reminds me of the tiger hunter who has picked a place on the wall to hang the tiger's skin long before he has caught the tiger. This tiger has other ideas.
I hear a really good pop song every now and then. 'ROAR' by Katy Perry, I love that! 'Poker Face'... Oh! What a song! And 'Rolling in the Deep'... Oh!
I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.
Celtic Tiger portrays the oppression of a people and the tiger symbolises the awakening of their Spirit and their struggle for freedom.
I said: "A tiger does not proclaim his tigritude, he pounces". In other words: a tiger does not stand in the forest and say: "I am a tiger". When you pass where the tiger has walked before, you see the skeleton of the duiker, you know that some tigritude has been emanated there.
The one certainty in tiger tracks is: follow them long enough and you will eventually arrive at a tiger, unless the tiger arrives at you first.
The scene [in The Hangover] where the tiger actually pops up behind us, that's actually a Jim Henson tiger puppet. The Jim Henson Company actually supplied that tiger. And it's really cool. Its entire face moves. It has like all these little motors in its eyebrows and cheeks and mouth. It was amazing.
I did 'Ek Tha Tiger,' but I wasn't in 'Tiger Zinda Hai.' I know and I feel that I'm ignored.
I've known Tiger since he was 18. Tiger is a great guy. I am so happy for him right now.
And lastly, Chairman Khrushchev has compared the United States to a worn-out runner living on its past performance, and stated that the Soviet Union would out-produce the United States by 1970. Without wishing to trade hyperbole with the Chairman, I do suggest that he reminds me of the tiger hunter who has picked a place on the wall to hang the tiger's skin long before he his caught the tiger. This tiger has other ideas.
A lot of people will think I changed the book: ‘so you’re the tiger instead, you’re the tiger who ate the cook.’ That’d be totally expository, like in the book, ‘you’re the tiger’ and then it stops there. That seems to have the magic touch. I bring everything together. That’s why he made up the story, the whole thing becomes internalized. That might be the magic, but all I did is not so much interpreted, but try my best to keep everybody still staying in the movie. And I was like, ‘God, it’s so hard to do.’ I make movies for a long time. It doesn't get easier.
Remember a few years ago when Tiger said his glutes shut off? I know he wasn't kidding because when I reach the top of my swing, like Tiger, I want to feel my right glute muscles firing.
I have been given the tag of Sher Khan. So, the tiger is my spirit animal.
Someone like Katy Perry - I like her writing because I listen to music as a songwriter. I like a lot of her songs - like, 'Firework' is a song that I think I could write.
My father had always called me Sam since the day I was born. He rarely ever called me Tiger. I would ask him, 'Why don't you ever call me Tiger?' He says, 'Well, you look more like a Sam.
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
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