A Quote by Bonnie McKee
As long as I can reach somebody, then I feel like I'm doing my job.
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I work for my personal satisfaction and then for my bosses as well, and as long as I get the thumbs up and get paid by somebody, I feel like I'm doing my job, and I'm cool with that.
You just feel like you're doing a job that you want to be doing, and then one day, somebody asks you a question like that: 'What's it like to be famous?' It doesn't really mean anything. The only difference is some people stop you and ask you for photographs.
I feel like if I can help somebody look at money differently or manage their finances differently or spend a little differently, then I feel like I'm doing my job. So I'll try to help them see the bigger picture and think longevity versus the temporary spending that we're kind of accustomed to.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
I always tell people that, if you feel like you're portraying a character really well, you're not acting. If you can reach that point where you don't feel like you're acting, than you're doing your job and the audience will believe you.
I truly feel like my job is to make the shows. That's what I'm paid to do. It's somebody else's job to market them, and it's somebody else's job to pay attention to the ratings, because if I paid attention to all that, my head would explode.
I feel like a foster kid that's been in the system for a long time, and then at 16, somebody adopted them and said, 'You can go to college, and you ain't got to pay no student loans.' I feel happy. I feel accepted after all these years of blood, sweat, and tears.
I always say, thank god I have this job or I don't know what I'd be doing. It'd be sad. I've always felt like I have been trying to brand a world for a quite a long time. You know what though, I feel no different. I feel like I'm doing the exact same thing I did in high school. Only I have more people helping me out now. And we have to take it all the way.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
With Lenin it was always a substantial commitment. I always have a certain admiration for people who are aware that somebody has to do the job. What I hate about these liberal, pseudo-left, beautiful soul academics is that they are doing what they are doing fully aware that somebody else will do the job for them.
If you're doing this because you feel like you have a burning desire to do it, then you'll find a way to do it, no matter what. If you're doing this because you're thinking, 'Hey, this will be really cool. I'll be famous. I'll be on YouTube,' then you'll probably quit, because it's not easy to do for the long haul.
Sometimes I feel like if I'm not getting people to boo me, then I'm not doing my job right.
We should point out that if we feel like we've upset somebody and they're vitriolic, if people are actively pursuing some sort of complaint, then we've done our job.
The most important thing we can tell young people is not to be an imitation of somebody else. That their life is special. They are the creator of their life and their way and find something that they enjoy doing that doesn't even feel like work. It feels like a passion. And then just by doing that and bringing that to the world, they become architects of change.
This is going to sound really corny, but it's the way I feel: Musicians have been around for a really long time. It's a really, really old job. When you look at the way that a small band toured back in the '50s, it's similar to the way that a small band tours now. It's been this long tradition, and when you meet somebody who has been doing this for a really long time, you have to have tremendous respect for them.
But it still feels like it's a reach for me. I am more comfortable doing a drama. I feel like I know what I'm doing a bit better there. But it's good to be scared.
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