A Quote by Bonnie Raitt
When it's a funky uptempo song, you're basically having the same kind of release you would have when you have sex, only it lasts longer. Whether you're playing it on the guitar or on the dance floor, you're in that moment.
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There's nothing like the eureka moment of knocking off a song that didn't exist before - I won't compare it to sex, but it lasts longer.
You could write a song about some kind of emotional problem you are having, but it would not be a good song, in my eyes, until it went through a period of sensitivity to a moment of clarity. Without that moment of clarity to contribute to the song, it's just complaining.
The early influences, in many ways, were in Baltimore. I was passing open windows where there might be a radio playing something funky. In the summertime, sometimes there'd be a man sitting on a step, playing an acoustic guitar, playing some kind of folk blues. The seed had been planted.
Why is so much sex needed? Because you are tense, sex becomes a release. Your tensions are released through it - you feel relaxed, you can go to sleep; if you repress it, you remain tense. And if you repress sex - the only release, the only possibility of release - what will happen? You will go mad. Where will you release your tensions then?
Many people are shy when it comes to getting out on a dance floor. Dancing is an activity that... reveals your inner self, whether you like it, or know it, or not. It is hard to fake it on a dance floor.
I didn't know how to play guitar until I was 21, but from the moment I was good enough on guitar to even put one song together, I kind of billed myself as an artist.
It's always been based around the song, and guitar-playing in the service of the song... The sensibility is about songs. I like to think of it as kind of 'refined primitive.'
I get so into playing the bass. The only time I ever feel the same way is when I'm having sex; it's the epitome of unifying with something.
Basically, I try to let the song dictate what guitar I use. If it's a really loud, crazy song, I'll pull out the cheapest, oldest guitar I own, one that feeds back easily. But most of the time, I just use whatever's around.
Playing acoustic guitar is like having sex with your clothes on. I mean you know how to do it, but it’s more difficult.
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They can be very laid back, downtempo, or sometimes the same song can be quite uptempo. But it is always the same melody and chord progressions.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
The mobility of the eye is such a fundamental treasure that we have, and that coexists with sensation. On the dance floor, you are totally in reality, while also experiencing this dream imagery of changing colors and wet surfaces of skin. Sometimes it's the shadow outline in the strobe light, and in another moment it's the closeup of an armpit that you're looking into. I'm not photographing all the time, but it's something that I actually see all the time, and not just on the dance floor.
When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.
'Girl In A Country Song' was uptempo, rockin', and such a bold song.
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