My activism did not spring from my being gay, or, for that matter, from my being black. Rather, it is rooted fundamentally in my Quaker upbringing and the values that were instilled in me by my grandparents who reared me.
My father came from a Quaker family. His father was a professional artist who did portraits - very traditional, a lot of religious subjects.
I come of Quaker stock. My ancestors were persecuted for their beliefs. Here they sought and found religious freedom. By blood and conviction I stand for religious tolerance both in act and in spirit.
My aunt was Frances Hodges, who in the Fifties was the editor of 'Seventeen' and later one of the creators of 'Mademoiselle.' She was my Auntie Mame; she loved culture. She was a Quaker, but she became a milliner against all Quaker logic - they feel that fashion and art are vanities - because she loved fashion.
I grew up in a big, blended Irish Catholic family just outside of Los Angeles.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
What we've established (in San Diego) with my growing family is hard to re-create. It's hard to up and re-create that. I know that moves are part of life. But that certainty is fair to say that (not being sold on moving to Los Angeles) is part of it. The good thing is I'm not under contract in a year where we'd potentially be in Los Angeles.
Especially growing up in Los Angeles, there's just a very different mind-set than my own. There's no 'Romeo and Juliet' in Los Angeles. There's 'Laguna Beach.'
I think Los Angeles certainly grew out and grew up, but I don't think it matured. It lost the appeal and the hunger and the beauty of its adolescence and went straight to a middle-aged ugly, overfed monster seeking mindless pleasure and being obsessively acquisitive. It's so materialistic. It grew up, but it didn't mature.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
I look forward to a time when my career in a place where I can get out of Los Angeles and find a nice small town like I grew up in to raise my family.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I grew up on theater, and honestly, I'm trying to figure out a way with a family and kids and living in Los Angeles to get back to the stage because it is my first love.
The house where I grew up in the Hancock Park section of Los Angeles was like a dream - even though my family faced threats after my father bought it in August 1948.
I started out pursuing an acting career out of college when I lived in Los Angeles. When I got an entry into broadcasting, I preferred it. I liked being me, rather than dressing up to be someone else. Now I'm 30 and doing a career of my own and have been in this career for eight years.
'Cars' is a really personal story for me because, first of all, I grew up in Los Angeles - the car crazy capital.