A Quote by Bonnie Tyler

I never forget the first time I was on 'Top of the Pops', my bass player said: 'You've made it!' I did used to think, when I was younger, that I'd be on there one day.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
My dad taught me to play bass. He's a bass player; he still plays in a band in Michigan to this day. He taught me to play bass when I was about 6. I used to just go to band practice with him, and whoever didn't show up for rehearsal that day, I would take their spot.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I think people forget even though we were labelled a synth band because of 'The Hurting,' but keyboards are not our native instruments. Roland's a guitar player and I'm a bass player.
I didn't start off as a bass player, and Guns was the first band I really, like, 'Oh, I'm gonna be a bass player. This is what I'm gonna do.' And I really dove into it head first.
When I did "Top of the Pops" for the first time, Ace of Base was one of the other bands, and I have a memory of them on a small stage next to me in the TV studio. A memory of their performance is burned into my mind. Seared.
A bass player has to think and play like a bass player. A drummer has to play and think like a drummer, and stay out of the way of the vocalist. The guitar player has to respect everybody else.
From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody I've ever seen. And that dynamic I just thought as somehow was a straight pass to me.
From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody Ive ever seen. And that dynamic I just thought as somehow was a straight pass to me.
When I heard BB King's 'Sweet Sixteen,' I knew I wanted to play bass because that was the thing that made that record: the bass player.
When I heard BB Kings Sweet Sixteen, I knew I wanted to play bass because that was the thing that made that record: the bass player.
There was a guy I found incredible in training. A player I thought 'What is he doing? Is he only 18 or 19?' That player was Mario Gotze. He did things in training that made me think 'Wow. If he doesn't make it all the way to the top then I don't know!'
Later in high school, I met Hillel Slovak, who was the original guitar player of the Chili Peppers, and we became really close. We had a band, and we didn't like the bass player, so I started playing bass, and I got a bass two weeks later.
My voice is my gift. And Pops had me using it in the right way. I had many offers to sing pop, to sing rhythm and blues. Pops said "Mavis, this record company want to give you a million dollars." I said, "No daddy, I want to sing with the family." And I did. I never wanted to branch out by myself. But I've had to now. It's my mission. I've been left here to do it. And I'm grateful.
I think my first experience of art, or the joy in making art, was playing the horn at some high-school dance or bar mitzvah or wedding, looking at a roomful of people moving their bodies around in time to what I was doing. There was a piano player, a bass player, a drummer, and my breath making the melody.
I knew something was wrong that day, he made the mistakes [Pablo Escobar] had never committed throughout the last 10 years as the most wanted man in the world in one day. He never used the phone, he only did the day he was killed.
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