A Quote by Bono

Every artist is a cannibal/every poet is a thief/all kill for inspiration/and then sing about the grief. — © Bono
Every artist is a cannibal/every poet is a thief/all kill for inspiration/and then sing about the grief.
You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
I'm an old guy, and I was protesting during the Vietnam War. We killed fifty Asians for every loyal American. Every artist worth a damn in this country was terribly opposed to that war, finally, when it became evident what a fiasco and meaningless butchery it was. We formed sort of a laser beam of protest. Every painter, every writer, every stand-up comedian, every composer, every novelist, every poet aimed in the same direction. Afterwards, the power of this incredible new weapon dissipated.
My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears, or inspiration. Otherwise, why do it? It's the communication.
Women have a smile for every joy, a tear for every sorrow, a consolation for every grief, an excuse for every fault, a prayer for every misfortune, and encouragement for every hope.
Whether you're talking about Shakespeare or, you know, if you look at Greek tragedies. I mean, every playwright, every songwriter, every artist who's ever sat down and been moved to create something, has been living in a context. A political moment that's most often reflected in their work. Even if you're, you know, kind of a nature poet.
The thief, as will become apparent, was a special type of thief. This thief was an artist of theft. Other thieves merely stole everything that was not nailed down, but this thief stole the nails as well.
When every church becomes a school, every cathedral a university, every clergyman a teacher, and all their hearers brave and honest thinkers, then - and not until then - will the dream of poet, patriot, philanthropist and philosopher become a real and blessed truth.
I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
Every man or woman is a potential poet or artist. Everyone has the capacity to bring to their work the dignity, purposefulness, and presence of the artist.
Sing, seraph with the glory! heaven is high. Sing, poet with the sorrow! earth is low. The universe's inward voices cry "Amen" to either song of joy and woe. Sing, seraph, poet! sing on equally!
I've been moving a little to the music while I worked ...and then I realize I am actually dancing. It feels wonderful, though I can feel how stiff my muscles are, how rigidly I've been holding myself...Mostly I've been moving cautiously, numbly, steeled because I know, at any moment, I may be ambushed by overwhelming grief. You never know when it's coming, the word or gesture or bit of memory that dissolved you entirely...It happens every day at first, then not for a day or two, then there's a week when grief washes in every morning, every afternoon.
Every artist - even if they do Superman, they do Batman, and things like that - they are speaking about his life. Every person, every artist makes his life an artwork.
I think of the Tamil poet Subrahmanya Bharati every day, and he is an inspiration in my musical creations.
The main difference between the art of the actor and all other arts is that every other [non-performing] artist may create whenever he is in the mood of inspiration. But the artist of the stage must be the master of his own inspiration, and must know how to call it forth at the hour announced on the posters of the theatre. This is the chief secret of our art.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
If you want to be a professional writer then you need to write consistently. Inspiration strikes about once every blue moon which, for me, is once every two and a half to three months, which is when I'll get really and truly inspired about something.
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