A Quote by Bono

Technology is huge; I wanted to learn about it. People might say that's odd, but I think it's odd if artists aren't interested in the world around them. I'm always chasing that.
I've always been interested in shaping music in odd ways, with odd riffs and that's been probably something that I've continued on with my studies with improvisation as I'm working with people.
I love movies that are saying things that people might find odd at times. I don't find them odd at all. They give me comfort.
We knew that we were kind of odd and creeps, and we wanted to do odd, creepy stuff for people who wanted to see that.
For me, the most fascinating interface is Twitter. I have odd cosmic thoughts every day and I realized I could hold them to myself or share them with people who might be interested.
I thought I was an odd person, and since my hometown had only about 70,000 people in it, I knew I was going to have to leave there and go out and find other odd people.
I'm always interested in talented or odd people, and my whole life I've written about geniuses who society has treated badly and they strike back - or not.
I feel like you can look inside me and see all the places I am odd or unusual and fit your heart around them, for you are odd and unusual in just the same way. We are the same.
The odd thing about people who had many books was how they always wanted more.
I find it odd seeing a DJ playing to huge audiences. I know that people have been doing it for a while, but the fact that it's been embraced so much in America now and it's become like this new, big thing, I find it slightly odd.
Doubting what you see is a very odd experience. And doubting what you remember is a little less odd than doubting what you see. But it's also a pretty odd experience, because some memories come with a very compelling sense of truth about them, and that happens to be the case even for memories that are not true.
Creating emotion was what my career was all about. I wanted people to laugh at me; I wanted people to cry with me. I wanted people to feel good or to think about something when they watched me. I think that's why, even not being an Olympic champion, I have such a huge following around the world.
It's an odd thing but when you tell someone the true facts of a mythical tale they are indignant not with the teller but with you. They don't want to have their ideas upset. It rouses some vague uneasiness in them, I think, and they resent it. So they reject it and refuse to think about it. If they were merely indifferent it would be natural and understandable. But it is much stronger than that, much more positive. They are annoyed. Very odd, isn't it.
I'd be doing all sorts of odd jobs and traveling the world. Let alone if I wasn't an actress, even now if my films stop doing well and people stop liking me, I'd go do odd jobs, like a waitress or something like that and save just about enough to see the world.
The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are.
In all of our lives, we know some boring people, but we don't want to see them on television. In our families, we have some very odd people who have odd neurosis. All of us are really strange people.
Even if no learning to speak of was involved in locking my mental term onto doorknobs, it is odd to say that therefore my possession of a doorknob concept is innate, just as it is odd to say that my head-injury-caused singing is innate.
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