I don't make personality-driven music. Personality stagnates, people become tired of it. When it is purely about the music, that is what gives it longevity.
It's bigger than the music. You have to have a personality, you have to have a character you have to have a good rapport with people. Those are things that also give you longevity.
The story of Alexander Hamilton lends itself to hip-hop treatment. Hamilton's personality is driven and unrelenting, and the music has that same quality. The music and the man mirror each other.
When you become such a strong personality in music, it's hard for people to accept you as a different character.
I don't think there is anyone I've ever met who has been more passionate about music than me, but rock 'n' roll has never been about just music. It is music, attitude, personality, persona, myth, legend.
When you think about it, some people don't like certain things, but when it comes to music, no matter who you are, where you're from, what kind of personality you've got...everyone loves music of some sort; that's what's so epic about it.
Aaron Copland was a man that had a very specific point of view about what music should be which was that, he felt that new music should have the composer should show a personality in his music.
It's really hard to maintain a band as a democracy. Again, I think there's been a shift. There's a lot of emphasis put on style and a singular personality, as opposed to a more anonymous group of people playing music. It's more about can I dress this person up? Are they going to look pretty? I feel like the cult of personality is back, for sure.
We're so tribal in Britain about music. But my music - my guitar playing, the rhythms, et cetera - just express my personality, because I'm self-taught.
Commercial music is music that a lot of people connect to at the same time, but that doesn't mean it has to be something shallow or without personality.
I always wanted to be more of a person that people enjoy. Somebody that will make you laugh. I'm talking about just my personality, not necessarily how my music sounds.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
The music is the thing. I am not writing for critics; I don't want to become a personality.
The object is to make beautiful music for people to have forever. Music that stays - not just becomes a ringtone. Longevity.
Wine is similar to music in that it's a purely experiential realm, and it's a purely subjective practice. That's sort of the funny thing about wine criticism or, for that matter, music criticism. At times, those are useful guides, but ultimately it's all about how you react to that music or wine.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
What I decided was I'd be happier not being in the confines of a corporate infrastructure producing music. That's when I was free, and it opened up the door to have a different personality and incarnations. That's really when I had success in my music life. I was able to license my music.