A Quote by Bonobo

I make music that I consider to be very personal. I think the main aspect is to make it as human as possible. — © Bonobo
I make music that I consider to be very personal. I think the main aspect is to make it as human as possible.
There's a very basic human, non-verbal aspect to our need to make music and use it as part of our human expression. It doesn't have to do with body movements, it doesn't have to do with articulation of a language, but with something spiritual.
Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
At the current time we have no plans. I consider my job at this point, and my main responsibility, to make the Wii U and 3DS versions the best and the fullest experience possible. That said, once finished, it's the type of thing we could take into consideration, but for now, you could consider DLC as not being in the cards.
The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
I'm gonna make music, and I'm gonna capture every aspect of being a human being. That's really all I'm trying to do. I think that artists and pop culture identities are used to simplify what it means to be a human and pigeon-hole people into looking up to one role model.
I think to deal with the situation like human crisis, 65 million people being displaced, lost their home, and with such human tragedy, has to make every level of society to be conscious and to be alert about the situation. So, the politicians and the people who make decisions very often is the one we think can make some difference. But of course they will not make a difference if the citizens or the individuals not push it or not to speak out, to possess a very strong voice about, this is not acceptable.
The one thing I do believe is, if you make the songs about the human aspects of things, you've got a much better chance of having the music transcend the times. If you make them very political and very topical, it's going to date very quickly.
I think the music that speaks to me the most is music that is personal. And that's the music that I'm trying to make.
I wanted to make something that sounded very pure, organic, and personal. I wanted to make music that was timeless.
I'd like it to be a bit of everything, the kind of music you can dance to, but also something a bit more personal, that you can listen to in other contexts. I think it's very important to maintain the contrasts between the different types of music that I make.
As far as my single selections, over the years it's been a very essential part of my survival tactic, but I have no problem being able to jump on records with whoever people think is the rawest rapper in the game or number one or King or whatever they wanna name themselves, to be honest with you. It doesn't affect me, 'cause that's what I come from; I'm comfortable in that zone. But I don't wanna make hood music, I don't wanna make street music, I want to make world music, global music, international music.
I think you kind of lose the human aspect when you make things too perfect.
My personal coaching philosophy, my mentality, has always been to make things as difficult as possible for players in practice, however bad we can make them, I make them.
My goal really was to make pop music feel as human as possible.
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