A Quote by Bonobo

I do really long DJ sets - I play for five or six hours sometimes - but the live shows are a bit more compact. The arch of how to tell a story, where the energy is, where you have peaks and drops, where things go up and things come down, that's all being informed by DJ-ing.
Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.
When I started DJ'ing, it was no big thing. There was no money in DJ'ing, and you did it purely for the love of playing music.
Right now, I don't particularly take different CDs or vinyl - I have my CD wallet that I take everywhere I go; there are different things in there that cater to different kinds of times - but if there's a special DJ thing coming up, I might go through my records and pick out this special selection. It's one the things that means you're improving as a DJ the more you do it, understanding what's going to go down well in a specific place.
I started DJ-ing in the '90s. DJ-ing is in every record I do. When I make records I make them for DJs.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
I didn't come up as a DJ, so I don't play by DJ rules.
Albums are a journey, and I even find that as a DJ, with less than two hours, I can barely communicate anything. So I like to play long sets.
Oddly I've been DJ-ing for many years, actually, but not many people know about it because if you go and DJ in a club and you've got 2000 people in there, then obviously about 2000 people know that you're a DJ.
DJ-ing taught me how to create a journey over the space of two or three hours.
DJ-ing itself is not just about playing songs. The art of DJ-ing is presenting new songs to the crowd that they haven't heard before and creating a party vibe that's different than just listening to anybody's playlist. It's the only way to truly be big and respected in your craft.
When we were growing up, I got kicked out of Timbaland's house every day. He was the DJ for my brother's rap group in junior high school. So I was 7, and while Tim's DJ'ing and my brother's rapping, I'd be upstairs dancing.
My records are fairly quiet and my dj sets are really loud. And then the live shows are like a robot soul revue. So i understand people's confusion.
I DJ very often. I'll probably do it more. I'm not available during the week because of the show but I travel most weekends to DJ. I've been doing it for about six years.
I actually really like DJ Assault - a Detroit a ghetto tech DJ, who's produced good music that's influenced me a bit.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I threw my son, Brandon, a rave for his birthday and I fully set it up like a crazy rave with lights and sound, me and my partner DJ'd - I got Mix Master Mike from the Beastie Boys to come DJ for a bit.
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